Information

Announcement of SSFF & ASIA 2027 shortlist (1st)

We will release a shortlist of entries for the Academy Awards categories at the Short Shorts Film Festival & Asia 2027.

In August we received 1,103 submissions from around the world. Among these, 296 films, that is 26.84%, were student projects. Another 315 films, 28.56%, were first-time submissions. Women filmmakers made up 37% of the entries while men accounted for 61%.

International Competition

For the International Competition, we received 544 submissions. The top countries that sent the films were the United States, the United Kingdom, Canada, and France.

The trends across these films show a focus on family relationships. Many filmmakers use tension to express inner grief, guilt, or identity crises. Common themes include identity formation, especially coming of age and meta-cinema, where filmmakers reflect on the act of filmmaking itself.

Asia International Competition

The Asia International Competition received 189 submissions. The top countries were China, Korea, India and Iran with Taiwan close. Many films explore the tension between tradition and modern expectations. Generational conflict is a recurring theme. A significant number of works center on women dealing with oppression, domestic violence, and societal pressures. Another key focus is how women reclaim freedom.

Japan Competition

The Japan Competition received 27 submissions. Several films explored isolation. Isolation is a recurrent theme in Japanese short films. Another recurring theme is a grittier view of Japanese society. Focusing on the actual economic hardship, organized crime, workplace pressure and underground labor often referred to as black work.

Animation Competition

The Animation Competition received 172 submissions. France submitted the films, followed by the United States, China, and Germany. Many animated works use animals to reflect society, draw from ancient myths and spiritual worlds, or tell personal stories about past trauma. Some films also focus on reconnecting with ancestors.

Non-Fiction Competition

The Non-Fiction Competition received 86 submissions. These films present real-world stories and creative documentary techniques. The top submitting countries were the United States, Germany, and Canada. Many films center on stories. Filmmakers often turn the camera on themselves, using these methods to create films as a form of self-reflection. A prominent trend is the celebration of physical labor and cultural practices that are disappearing due to modernization.

〜SSFF & ASIA 2027 shortlist (1st)~
~ The name of the film, the director name, and the country name will be listed in alphabetical order by category

Project Title Directors Country of Origin
International
And what do the pigs think ? Edith Jorisch Canada
Best Practice Martin Strange-Hansen Denmark
BOUND Samir awaleh Somalia
CAN I PUT YOU ON HOLD James Cutler United States
Cold & Sweet Aida Alimadadi Germany
Ecstasy Of Tragedy Mina Tomic Switzerland
FACES Andrés Molano Moncada Colombia
Getar Hero Teddy Stern United States
KHUFU Mahmoud Assi Egypt
Las Damas Camille Zéhenne France
Les Joues Rouges Minna Prader Switzerland
Life Goes On Kat Butterfield, Daniel Audritt United Kingdom
Men in Towels Kiyan Agadjani Luxemburg
noise of waves Tomasz Wróbel Poland
ONE Yaya Russian Federation
Onizuka Roberto Veiga Brazil
PITHEAD Wannes Vanspauwen, Pol De Plecke Belgium
Quang’s wonders Michael Barocas France
Spag Louis Brousseau Canada
Superlative Day Harleigh Shaw United States
Swallow me home Anna Niebert Germany
The Blessing Caroline Poggi, Jonathan Vinel France, Switzerland
This Conversation Has Been Removed Andrew Nolan Ireland, United Kingdom
Timo – The Lord of Potato Antti Tuominen Finland
VYANN Adolfo Margulis Mexico
Asia
Arifa Rohin Raveendran Nair India
A Silenced Lament Pei Ying CHEN Taiwan
Bulak Tynystan Temirzhan Kyrgyzstan
Candidate 024 Varun Gupta India
Click Blake Ahn South Korea
Kill The Girl Who Carries Xiaoxuan Huang China
Navillera Sitang Bootsripoom Thailand
Tamasira Clare Chong Singapore
The Angel and the Gamekeeper Navid Solati Iran
The Beauty and the Beast Golam Muntakim Bangladesh
The Bellow Marjan Ashrafizadeh Iran
Through The Cracks Hoang Le Vietnam
“VATERLAND” OR A BULE NAMED YANTO Berthold Wahjudi Indonesia, Germany
When it burns Jeong-seo Park South Korea
Welcome Party Mengsheng Valen Zeng China
Animation
2:LOVE Ronni SHALEV Belgium
Acid City Jack Wedge, Will Freudenheim United States
ACID ECHO Elsa Moulin France
A Little Death Leto Meade, Jonathan Rockefeller United Kingdom, United States
Burning Incense Steven Hao Nhan Truong Switzerland
Croisière Théo ALESSANDRI, Cynthia CORDIER, Morgane DERAIL, Charles ESTEVE, Charlotte GOGNET, Thalie REBOUL France
Deep End Puzhen Zhang United Kingdom
Eri Honami Yano France, Japan
Foxing: Kitsuné-tsuki Takeru Shinozuka Japan
Hacker Leonilia Gustavo Fontele Dourado Brazil
noir & lumi Cláudio Jordão Portugal
Penguin Kaspar Jancis Estonia
Silent Cinema Krste Gospodinovski North Macedonia
Singapore God EXYL Singapore
States Katarzyna Kijek, Przemysław Adamski Poland
Take Care Patricia Strübin Switzerland
The Day I Smoked a Cigarette with my Father Sameh Alaa, Robin Vouters Belgium, Egypt, France
The End Niki Lindroth Von Bahr Denmark, France, Sweden
the greatest house my father built King Yaw SOON Malaysia, United States
The Taste of Pineapple Bread Manfei Li Switzerland
Non Fiction
A Wolf in the Suburbs Amélie Hardy Canada
In Dreams, When You Can’t Sleep at Night Rachel Gutgarts France
Mark Hama: In Service Brendan Leahy United States
Sawyer Avenue, Sunday Afternoon Bill Morrison United States
SCAM SLAVE: From Hell to Home Timothy Blackwood Uganda, United States
Shapes in Between: Norman Takeuchi’s Journey Aki Takabatake Canada, Japan
The Knights of NYC Jesse Smolan United States
The Last Climber Thida Swe Myanmar
The Starry Hours Loris Theurillat, Axel Clarmont Switzerland
Tristesse Yuri Muraoka Japan
Walking with Love Youko Mochizuki Japan
Japan
Lost & Found Atsushi Nagao Japan
the Wound Spring Gentoku Yamada Japan
Almost Us Hayato Otogi Japan
BROTHER Ken Izumisawa Japan
Playing House Youhei Shikano Japan
Elimination Period Kouta Higuchi Japan

Festival selections will be made from among the shortlisted films. The shortlisted films will be announced monthly until the end of March 2027. These selections will appear on the festival’s website by the end of April 2027. This month’s shortlist includes films submitted by the end of August, though the timing of announcements may vary.

■SSFF & ASIA 2027 Call for entry https://app.lifelogbox.com/festival/shortshorts