{"id":12159,"date":"2021-11-30T20:00:34","date_gmt":"2021-11-30T11:00:34","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?post_type=news_en&p=12159"},"modified":"2021-12-28T16:14:21","modified_gmt":"2021-12-28T07:14:21","slug":"announcement-of-ssff-asia-2022-shortlist-2nd","status":"publish","type":"news_en","link":"https:\/\/shortshorts.org\/content\/news_en\/creators\/announcement-of-ssff-asia-2022-shortlist-2nd\/","title":{"rendered":"Announcement of SSFF & ASIA 2022 shortlist (2nd)"},"content":{"rendered":"\r\n
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Beginning last month, we have released a shortlist that will be nominated from among the entries for the Five Academy Awards\u00ae categories (International, Asia International, Japan, Animation, Non-fiction) at the Short Shorts Film Festival & Asia 2022.

In September, we received about 1,200 submissions. There were many shorts submitted from the United States, France, Spain, and especially from Asia, China, India, and South Korea. 5% of the total submissions were from Japan. In addition, about 40% of the students’ short films came as a result of the graduation season overseas.

As was the case last month, there were many films with stories about family, romantic relationships, and life and death. These were followed by films related to lifestyles and to the workplace. Among the submissions in the science fiction and fantasy genres, there were many films that used mysticism and dreams, as well as satirizing modern society. Congratulations to all the short listed filmmakers!!<\/p>\r\n\r\n\r\n\r\n

We keep accepting the submission till Jan. 31, 2022.<\/a> Looking forward to seeing you at the festival 2022!!<\/p>\r\n\r\n\r\n\r\n\r\n\r\n

~ SSFF & ASIA 2022 Short List (2nd) ~
<\/strong>*The name of the film, the director name, and the country name will be listed in alphabetical order by category<\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Title<\/td>\r\nDirector<\/td>\r\nCountry<\/td>\r\n<\/tr>\r\n
Official Competition supported by Sony International Competition<\/td>\r\n<\/tr>\r\n
Action<\/td>\r\nBeno\u00eet Monney<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
Amygdala (\u0391\u039c\u03a5\u0393\u0394\u0391\u039b\u0397)<\/td>\r\nMaria Hatzakou<\/td>\r\nGreece<\/td>\r\n<\/tr>\r\n
An Irish Goodbye<\/td>\r\nRoss White & Tom Berkeley<\/td>\r\nIreland<\/td>\r\n<\/tr>\r\n
Aurora and the House of Lights<\/td>\r\n\u00c1ngela Matiz & Mar\u00eda Matiz<\/td>\r\nColombia<\/td>\r\n<\/tr>\r\n
Back to the West<\/td>\r\nBoris Hadzija<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
BJ’s Mobile Gift Shop<\/td>\r\nJason Park<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Bleach (Bleacj)<\/td>\r\nMattias Graham<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Bleue<\/td>\r\nOrnella Pacchioni<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
BLIND SPOTS<\/td>\r\nLuis Schubert<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
Bystander (\u0639\u0646 \u0628\u064f\u0639\u062f)<\/td>\r\nrachel aoun<\/td>\r\nLebanon<\/td>\r\n<\/tr>\r\n
Deaf (SORDA)<\/td>\r\nNuria Mu\u00f1oz-Ort\u00edn & Eva Libertad<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Each Other (L’un l’autre)<\/td>\r\nClara Pr\u00e9vost<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Endless heat (CALOR INFINITO)<\/td>\r\nJoaqu\u00edn Le\u00f3n<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Entre t\u00fa y Milagros<\/td>\r\nMariana Saffon<\/td>\r\nColombia<\/td>\r\n<\/tr>\r\n
Fever (La Fi\u00e8vre)<\/td>\r\nMatias Carlier<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
Hold Up<\/td>\r\nAlison Rodrigues<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
In Dreams (Uni)<\/td>\r\nPete Riski<\/td>\r\nFinland<\/td>\r\n<\/tr>\r\n
Unliveable (Inabit\u00e1vel )<\/td>\r\nMatheus Farias & Enock Carvalho<\/td>\r\nBrazil<\/td>\r\n<\/tr>\r\n
Iniquity<\/td>\r\nOliver Goodrum<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
It Feels Personal<\/td>\r\nHugh Clegg<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Jupiter Rain<\/td>\r\nImanol Ruiz de Lara<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
LEO BY NIGHT (L\u00e9o la nuit)<\/td>\r\nNans Laborde-Jourd\u00e0a<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Monkey-Love, Please Hold<\/td>\r\nGreg Fox<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
My friend (Mon Ami)<\/td>\r\nMicha\u00ebl Bier & Herv\u00e9 Piron<\/td>\r\nBelgium<\/td>\r\n<\/tr>\r\n
Night Breakers<\/td>\r\nCampoy Gabriel, Lafoz Guillem<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Our own land (Nous n’irons plus en haut)<\/td>\r\nSimon Helloco<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Penthouse<\/td>\r\nVegard Dahle & Line Klungseth Johansen<\/td>\r\nNorway<\/td>\r\n<\/tr>\r\n
Primal Therapy (Suoterapia)<\/td>\r\nSanttu Salminen<\/td>\r\nFinland<\/td>\r\n<\/tr>\r\n
Rachels Don’t Run<\/td>\r\nJoanny Causse<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
SHARK<\/td>\r\nNash Edgerton<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
Snooze<\/td>\r\nAdam Collins<\/td>\r\nIreland<\/td>\r\n<\/tr>\r\n
Stagnant<\/td>\r\nKonrad Kultys<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
Starched Collars (Cuellos Almidonados)<\/td>\r\nDaniel Rodr\u00edguez Risco<\/td>\r\nPeru<\/td>\r\n<\/tr>\r\n
Sunnies<\/td>\r\nIsmail Khan<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
The Blanket (Lakana)<\/td>\r\nTeppo Airaksinen<\/td>\r\nFinland<\/td>\r\n<\/tr>\r\n
The child and the night (L’Enfant et la nuit)<\/td>\r\nPascale Hannoyer<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
The Mouse<\/td>\r\nTheo Baines<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
The Red Sultan<\/td>\r\nJoachim Besan\u00e7on<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Two Women (\u05e9\u05ea\u05d9 \u05e0\u05e9\u05d9\u05dd)<\/td>\r\nYuval Kaminsky<\/td>\r\nIsrael<\/td>\r\n<\/tr>\r\n
Va dans les bois<\/td>\r\nLucie Prost<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Viral<\/td>\r\nShriejan Paudel<\/td>\r\nNetherlands<\/td>\r\n<\/tr>\r\n
Official Competition supported by Sony Asia International Competition<\/td>\r\n<\/tr>\r\n
A Grandpa’s Uniform and the Other Things of Fear (Pedhut)<\/td>\r\nChristian Banisrael<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
A shared path<\/td>\r\nNegar Naghavi<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Black Rainbow<\/td>\r\nZig Dulay<\/td>\r\nPhilippines<\/td>\r\n<\/tr>\r\n
Can’t go out tonight (\uc9d1 \ubc16\uc740 \uc704\ud5d8\ud574)<\/td>\r\nChang-geun Cho<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
Last Call (Panggilan Terakhir)<\/td>\r\nEysham Ali<\/td>\r\nSingapore<\/td>\r\n<\/tr>\r\n
Lili Alone<\/td>\r\nZou Jing<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Maturity<\/td>\r\nNazanin Ghanbarimohammadi<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Moshari (\u09ae\u09b6\u09be\u09b0\u09bf)<\/td>\r\nNuhash Humayun<\/td>\r\nBangladesh<\/td>\r\n<\/tr>\r\n
Murder Tongue<\/td>\r\nAli Sohail Jaura<\/td>\r\nPakistan<\/td>\r\n<\/tr>\r\n
Nasi (\u6700\u540e\u7684\u5973\u730e\u4eba)<\/td>\r\nXiaoting Tang<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Please… See Us<\/td>\r\nChaweng Chaiyawan<\/td>\r\nThailand<\/td>\r\n<\/tr>\r\n
Solar Eclipse<\/td>\r\nAlireza Ghasemi & Raha Amirfazli<\/td>\r\nIran, France<\/td>\r\n<\/tr>\r\n
SWALLOW<\/td>\r\nMai Nakanishi<\/td>\r\nTaiwan, Japan<\/td>\r\n<\/tr>\r\n
The daughter (\uc720\uc0b0)<\/td>\r\nSoon-a Nam<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
The Note<\/td>\r\nJen Nee Lim<\/td>\r\nSingapore<\/td>\r\n<\/tr>\r\n
The Sea Calls for Me (Laut Memanggilku)<\/td>\r\nTumpal Tampubolon<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
The Silent Echo<\/td>\r\nSuman Sen<\/td>\r\nIndia, Nepal<\/td>\r\n<\/tr>\r\n
When you need 22%<\/td>\r\nHanna Yoon<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
Whispering Wind (\u98ce\u884c\u8349\u5043)<\/td>\r\nTianli Liu<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Official Competition supported by Sony Japan Competition<\/td>\r\n<\/tr>\r\n
Alone & Clone<\/td>\r\n\u845b\u897f \u52c7\u4e5f (Yuya Kasai)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u3044\u3061\u3054\u597d\u304d\u306b\u306f\u305f\u307e\u3089\u306a\u3044\uff01 \u30c1\u30e7\u30d9\u30ea\u30d9\u30ea\u30d9\u30ea\u30b9\u30c8\u30ed\u30d9\u30ea\u30fc\u597d\u304d<\/td>\r\n\u9ad9\u6a4b \u6804\u4e00 (Eiichi Takahashi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u5145\u96fb\u4eba (JUDENCHU)<\/td>\r\n\u897f \u907c\u592a\u90ce (Ryotarou Nishi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u92ed\u3044\u30d7\u30ed\u30dd\u30fc\u30ba<\/td>\r\n\u9ad9\u6a4b \u6804\u4e00 (Eiichi Takahashi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u305d\u308c\u3067\u3082\u5e78\u798f\u3067\u3044\u306a\u3055\u3044<\/td>\r\n\u5b9a\u8c37 \u7f8e\u6d77 (Yoshimi Joya)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Chained<\/td>\r\nTakafumi Sakabe<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u7236\u3042\u308a\u304d (Still is)<\/td>\r\n\u5e02\u539f \u4fca\u5e78 (Toshiyuki Ichihara)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u7070\u8272\u306e\u6563\u5f3e\u9283<\/td>\r\n\u4e94\u5341\u5d50 \u4ec1 (Hitoshi Igarashi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u4eba (Hito)<\/td>\r\n\u9f8d\u5927\u6717 \u5c71\u53e3 (Ryutarou Yamaguchi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
PREPARE TO MARCH!!<\/td>\r\n\u9f8d \u5065\u592a (Ryu Kenta)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u30de\u30ab\u30ed\u30cb\u30b5\u30e9\u30c0 (Makaronisarada)<\/td>\r\n\u6589\u85e4 \u304b\u304a\u308a (Kaori Saito)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u30de\u30cb\u30d6\u30b9\u306e\u7a2e (minibus seeds)<\/td>\r\n\u82a6\u539f \u5065\u4ecb (Kensuke Aihara)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Animation Competition<\/td>\r\n<\/tr>\r\n
A Guitar in the Bucket (\ubc84\ud0b7)<\/td>\r\nBoyoung Kim<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
Airborne<\/td>\r\nAndrzej Jobczyk<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
Carnivorous Bean Sprout<\/td>\r\nSeO<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
Cromosoma X<\/td>\r\nLucia Bulgheroni<\/td>\r\nItaly<\/td>\r\n<\/tr>\r\n
Florian<\/td>\r\nGustav Bengtsson & David Bengtsson<\/td>\r\nSweden<\/td>\r\n<\/tr>\r\n
\u602a\u7363\u30c7\u30b3\u30fc\u30c9 (KAIJU DECODE)<\/td>\r\n\u00a9TSUBURAYA PRODUCTIONS, TOEI ANIMATION<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Life\u2019s a Bitch (\u0416\u0438\u0437\u043d\u044c-\u043f\u0430\u0441\u043a\u0443\u0434\u0430)<\/td>\r\nVarya Yakovleva<\/td>\r\nRussian Federation<\/td>\r\n<\/tr>\r\n
Lifeblood<\/td>\r\nNicholas Tory<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
Liv&Bell ” Bell’s long thin friend “<\/td>\r\nNatsuki Kida<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Other Half<\/td>\r\nLina Kalcheva<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Pistachio<\/td>\r\nIsabella Spadone<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Roberto<\/td>\r\nCarmen C\u00f3rdoba Gonz\u00e1lez<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
\u30b5\u30de\u30fc\u30d6\u30eb\u30fc<\/td>\r\n\u6fa4\u7530 \u674f\u5948 (Anna Sawada)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Swipe<\/td>\r\nArafat Mazhar<\/td>\r\nPakistan<\/td>\r\n<\/tr>\r\n
\u9ad8\u91ce\u4ea4\u5dee\u70b9 (Takano Intersection)<\/td>\r\n\u4f0a\u85e4 \u745e\u5e0c (Mizuki Ito)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
The awakening of the insects (Le r\u00e9veil des insectes)<\/td>\r\nStephanie Lansaque & Francois Leroy<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
The Clearing<\/td>\r\nDaniel Hope<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
The Visit (Wizyta)<\/td>\r\nMateusz Jarmulski<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
The Windshield Wiper<\/td>\r\nAlberto Mielgo<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
TIO<\/td>\r\nJuan Medina<\/td>\r\nMexico<\/td>\r\n<\/tr>\r\n
\u308f\u305f\u3057\u306e\u30c8\u30fc\u30c1\u30ab (Our Little Pond)<\/td>\r\n\u77f3\u8218 \u6ce2\u5b50 (Namiko Ishidate)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u00a0Non-Fiction Competition<\/td>\r\n<\/tr>\r\n
Acts For The Invisible<\/td>\r\nKate Vinen<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
Barefoot Empress<\/td>\r\nVikas Khanna<\/td>\r\nIndia<\/td>\r\n<\/tr>\r\n
Belle River<\/td>\r\nGuillaume Fournier, Samuel Matteau & Yannick Nolin<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Beyond the Wire<\/td>\r\nTed Griswold<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
BLOOD for HORSES<\/td>\r\nAntonin Lechat<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Extra (Figurante)<\/td>\r\nNacho Fern\u00e1ndez<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Lalito 10<\/td>\r\nJordan Matthew Horowitz<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
May\u2022JEJU\u2022Day (\uba54\uc774\u2022\uc81c\uc8fc\u2022\ub370\uc774)<\/td>\r\nJude KANG<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
Merenberg<\/td>\r\nDaniel Negrete<\/td>\r\nColombia<\/td>\r\n<\/tr>\r\n
\u30bf\u30a4\u30d7\u30fc\u30b5\u30e0 (THAIPUSAM)<\/td>\r\n\u4f50\u3005\u6728 \u5149\u6d0b (Koyo Sasaki)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
TRUSTFALL<\/td>\r\nStefan David Witts<\/td>\r\nNorway<\/td>\r\n<\/tr>\r\n
Where Is My Darling?<\/td>\r\nAdam Finney<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
YOUR NAME IS<\/td>\r\nPaulo Patr\u00edcio<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>\r\n

Festival selections will be made from among the shortlisted films.
The shortlist films will be selected monthly until the end of March, 2022 and will be uploaded on the festival’s official website by the end of April, 2022.This month’s shortlist is mainly for films submitted by the end of September, but the timing of the announcements may vary.<\/p>\r\n","protected":false},"featured_media":12044,"parent":0,"template":"","e_news_cat":[550,549],"class_list":["post-12159","news_en","type-news_en","status-publish","has-post-thumbnail","hentry","e_news_cat-creators","e_news_cat-project"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en\/12159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en"}],"about":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/types\/news_en"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media\/12044"}],"wp:attachment":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media?parent=12159"}],"wp:term":[{"taxonomy":"e_news_cat","embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/e_news_cat?post=12159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}