{"id":12313,"date":"2021-12-31T10:00:32","date_gmt":"2021-12-31T01:00:32","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?post_type=news_en&p=12313"},"modified":"2022-01-31T10:37:39","modified_gmt":"2022-01-31T01:37:39","slug":"announcement-of-ssff-asia-2022-shortlist-3rd","status":"publish","type":"news_en","link":"https:\/\/shortshorts.org\/content\/news_en\/creators\/announcement-of-ssff-asia-2022-shortlist-3rd\/","title":{"rendered":"Announcement of SSFF & ASIA 2022 shortlist (3rd)"},"content":{"rendered":"\r\n\r\n\r\n
\"\"<\/figure>\r\n

Beginning in August, we have released a shortlist that will be nominated from among the entries for the Five Academy Awards\u00ae categories (International, Asia International, Japan, Animation, Non-fiction) at the Short Shorts Film Festival & Asia 2022. In October, we received about 300 submissions. There were many shorts submitted from the United States, France, and Canada. About 1\/3 were shorts from first time directors and another 1\/3 were directed by female filmmakers. As in the submissions in August and September, we received shorts about life & family, and also work\/workplace. Notable were shorts that placed emphasis and focus in the sound or audio elements of the films. Perhaps this was a by-product of limits placed on the shooting and production process by Covid.<\/p>\r\n

There is now about one month remaining until the submission deadline. We\u2019re looking forward to many more submissions for you!<\/p>\r\n\r\n\r\n\r\n

https:\/\/www.shortshorts.org\/en\/creators\/<\/a><\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n

~ SSFF & ASIA 2022 Short List (3rd) ~
<\/strong>*The name of the film, the director name, and the country name will be listed in alphabetical order by category<\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Title\u00a0<\/th>\r\nDirector\u00a0<\/th>\r\nCountry<\/th>\r\n<\/tr>\r\n
Official Competition supported by Sony International Competition<\/td>\r\n<\/tr>\r\n
10:45<\/td>\r\nGeorge Gogichaishvili<\/td>\r\nGeorgia<\/td>\r\n<\/tr>\r\n
A NEW PERSPECTIVE<\/td>\r\nEmanuela Ponzano<\/td>\r\nItaly<\/td>\r\n<\/tr>\r\n
Borekas (\u0628\u0648\u0631\u064a\u0643\u0627\u0633)<\/td>\r\nSaleh Saadi<\/td>\r\nPalestine<\/td>\r\n<\/tr>\r\n
Good Morning Midnight (Bonjour Minuit)<\/td>\r\nElisabeth Silveiro<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Hantu<\/td>\r\nKim Kokosky Deforchaux<\/td>\r\nNetherlands<\/td>\r\n<\/tr>\r\n
Harry The Hamster<\/td>\r\nLewis Reeves<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Noctuidae<\/td>\r\nAlexandra (Ali) Mauritz<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
PISS-POOR WEATHER (SCHEISSWETTER)<\/td>\r\nJens Kevin Georg<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
The Bridge<\/td>\r\nRodrigue Hammal<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
The Life Underground<\/td>\r\nLo\u00efc Hobi<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
The Night I Left America<\/td>\r\nLaki Karavias<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
The Oysters (Les Hu\u00eetres)<\/td>\r\nMaia Descamps<\/td>\r\nBelgium<\/td>\r\n<\/tr>\r\n
Zafar<\/td>\r\nAqsa Altaf &amp; John X Carey<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Official Competition supported by Sony Asia International Competition<\/td>\r\n<\/tr>\r\n
Auntie Oh Lives In Your Memories<\/td>\r\nKathleen Bu<\/td>\r\nSingapore<\/td>\r\n<\/tr>\r\n
Hourglass House<\/td>\r\nYinghai Hu<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Tank Fairy (\u6876\u599d\u4ed9\u5973)<\/td>\r\nErich Rettstadt (\u96f7\u5229)<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
The Moment of Heera<\/td>\r\nJin-young LEE<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
We have to love each other.<\/td>\r\nLEE Ru-ri<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
Official Competition supported by Sony Japan Competition<\/td>\r\n<\/tr>\r\n
1.2%<\/td>\r\n\u9f4b\u85e4 \u6804\u7f8e (Emi Saito)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u98a8\u3092\u8074\u304f(Listen to the wind)<\/td>\r\n\u9ad8\u539f \u4fee\u4e00 (Shuichi Takahara)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u6ed1\u677f\u62f3\u301cKUNG-FU SKATEBOARDER (KAPPAN KEN\u301cKUNG-FU SKATEBOARDER)<\/td>\r\n\u5bae\u5c3e \u6607\u967d (Shoyo Miyao)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u518d\u6f14 (Replay)<\/td>\r\n\u571f\u5c4b \u54f2\u5f66 (Tetsuhiko Tsuchiya)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u6642\u96e8\u3055\u3093\u306e\u6e21\u4e16 (Shigure’s Choice)<\/td>\r\n\u6674\u65e5 \u30ab\u30b7\u30e5 (Kash Haruhi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u8ab0\u3082\u8a00\u308f\u306a\u3044 (Nobody says)<\/td>\r\n\u971e \u7fd4\u592a (Shota Kasumi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u3064\u3081\u305f\u3044\u3042\u304b\u308a(Cold Light)<\/td>\r\n\u6c38\u5ca1 \u4fca\u5e78 (Toshiyuki Nagaoka)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u8857\u306e\u58f0\u304c\u805e\u304d\u305f\u3044<\/td>\r\n\u9ad8\u5cf6 \u512a\u6bc5 (Yuki Takashima)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u7b11\u3044\u306e\u30ea\u30ba\u30e0 (Rhythm)<\/td>\r\n\u5b89\u697d \u5c06\u58eb (Masashi Anraku)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Animation Competition<\/td>\r\n<\/tr>\r\n
Alternate Mesozoic<\/td>\r\nSwann Boby, Lucie Laudrin, Marion M\u00e9tivier, L\u00e9na Miguet, Sixtine Sanrame & Marie Schaeffer<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Death and the Winemaker<\/td>\r\nVictor Jaquier<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
LUNCHEON MAD<\/td>\r\n\u7fbd\u90e8 \u7a7a\u6d77 (Sorami Habu)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Merry Big Mess<\/td>\r\nSacha Gosselin, Ambre Bohin, Timoth\u00e9 ballan, Amaury Emond, Hugo Joron, Arthur Morle, Antoine Tomasi & Cl\u00e9mence Van Gout<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Mr. Spam Gets a New Hat<\/td>\r\nWilliam Joyce<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
New\u300aDivergence\u300b<\/td>\r\nLijun Sun & Yongliang Shen<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Punctured Sky<\/td>\r\nJon Rafman<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Non-Fiction Competition<\/td>\r\n<\/tr>\r\n
At Eye Level<\/td>\r\nMauro Mueller<\/td>\r\nMexico<\/td>\r\n<\/tr>\r\n
Gina<\/td>\r\nKathryn Prescott<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Nsenene<\/td>\r\nMichelle Coomber<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Nuisance Bear<\/td>\r\nJack Weisman & Gabriela Osio Vanden<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
TWO FATHERS (MEINE V\u00c4TER)<\/td>\r\nJulia von Heinz<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
When We Were Them<\/td>\r\nDanis Tanovi\u0107 & Damir \u0160agolj<\/td>\r\nBosnia and Herzegovina<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n

Festival selections will be made from among the shortlisted films.
The shortlist films will be selected monthly until the end of March, 2022 and will be uploaded on the festival’s official website by the end of April, 2022.
This month’s shortlist is mainly for films submitted by the end of October, but the timing of the announcements may vary.<\/p>\r\n","protected":false},"featured_media":0,"parent":0,"template":"","e_news_cat":[550,548,641],"class_list":["post-12313","news_en","type-news_en","status-publish","hentry","e_news_cat-creators","e_news_cat-event","e_news_cat-filmfestival"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t