{"id":12594,"date":"2022-03-31T10:00:46","date_gmt":"2022-03-31T01:00:46","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?post_type=news_en&p=12594"},"modified":"2022-05-09T22:12:22","modified_gmt":"2022-05-09T13:12:22","slug":"short-shorts-film-festival-asia-2022-final-shortlist","status":"publish","type":"news_en","link":"https:\/\/shortshorts.org\/content\/news_en\/creators\/short-shorts-film-festival-asia-2022-final-shortlist\/","title":{"rendered":"Short Shorts Film Festival & Asia 2022 \u2013 Final Shortlist!"},"content":{"rendered":"
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Beginning in August, 2021, we have released a shortlist from among the entries for the five Academy Award\u00a9 accredited competitions (International, Asia International, Japan, Animation, Non-fiction) for the Short Shorts Film Festival & Asia 2022. In January, we received over 600 submissions. Over the submission period since last August, we received a total 4,111 submissions for the 5 main competitions. The most submissions for International Competition were from the United States with 2,282 short films followed by submissions from France, the UK, & Spain. We received a total 639 short films for the Asia International Competition with the majority of submissions from South Korea & China. There were 342 submissions from Japan which surpassed last year\u2019s total. In our newly Academy Award\u00a9\ufe0e accredited Animation Competition, we received 513 submissions & 335 in our Non-fiction Competition. Out of these, roughly 20% were directed by students & 30% were from 1st<\/sup> time & young directors. Out of our 2022 submissions, the theme that stood out the most were very intimate stories that depicted changes in family, personal, & work lives that were affected by the Covid-19 pandemic. In the Animation Competition, there were many adult-oriented shorts that depicted personal loneliness, solitude, and conflict in highly original styles that could not be depicted through live action short films. From the Non-fiction Competition submissions, there were many films with strong social themes such as environmental and racial issues, as well as stories that placed focus on a single individual and brought new discoveries through their very personal stories. And now, on the 28th of next month, we will announce our official selections! We know that you will be very anxious to see the results & we hope that you will come to appreciate the very fine work of the many filmmakers from around the world! \u00a0<\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n

~ SSFF & ASIA 2022 Short List (6th) ~
<\/strong>*The name of the film, the director name, and the country name will be listed in alphabetical order by category<\/em><\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Title<\/th>\r\nDirector<\/th>\r\nCountry<\/th>\r\n<\/tr>\r\n
Official Competition supported by Sony International Competition<\/td>\r\n<\/tr>\r\n
Act of God<\/td>\r\nSpencer Cook & Parker Smith<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
And Then What? (\u00bfY Luego?)<\/td>\r\nMario Trujillo<\/td>\r\nMexico<\/td>\r\n<\/tr>\r\n
Are You Still There?<\/td>\r\nRayka Zehtabchi & Sam Davis<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Atonement (F\u00f6rsoning)<\/td>\r\nKaveh Akaber<\/td>\r\nSweden<\/td>\r\n<\/tr>\r\n
Born to cry (Fanfare)<\/td>\r\nLe\u0301o Grandperret<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Buzz (Tanin)<\/td>\r\nMohamed Fawi<\/td>\r\nSudan<\/td>\r\n<\/tr>\r\n
Dream Racing (Cavales)<\/td>\r\nJuliette Riccaboni<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
Entrance of Pink Elephants<\/td>\r\nTatiana Fedorovskaya<\/td>\r\nIsrael<\/td>\r\n<\/tr>\r\n
Get Ready. Off to the Feast (\u0421\u043e\u0431\u0438\u0440\u0430\u0439\u0441\u044f. \u041f\u043e\u0435\u0434\u0435\u043c \u043d\u0430 \u043f\u0440\u0430\u0437\u0434\u043d\u0438\u043a)<\/td>\r\nLamara Sogomonian<\/td>\r\nRussian Federation<\/td>\r\n<\/tr>\r\n
GOGOL-MOGOL<\/td>\r\nAleksander Kott<\/td>\r\nRussian Federation<\/td>\r\n<\/tr>\r\n
Love is Real!<\/td>\r\nCalvin Sang<\/td>\r\nNew Zealand<\/td>\r\n<\/tr>\r\n
Mammas<\/td>\r\nCarine Hazan<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
No Ghost in the Morgue<\/td>\r\nMarilyn Cooke<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
North Pole<\/td>\r\nMarija Apcevska<\/td>\r\nMacedonia<\/td>\r\n<\/tr>\r\n
On my mind<\/td>\r\nMartin Strange-Hansen<\/td>\r\nDenmark<\/td>\r\n<\/tr>\r\n
Press Key 5<\/td>\r\nLipa Hussain<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
On Your Behalf<\/td>\r\nAna Garcia Rico<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Phase<\/td>\r\nMykola Zaseev<\/td>\r\nUkraine<\/td>\r\n<\/tr>\r\n
Saboteur<\/td>\r\nAnssi Kasitonni<\/td>\r\nFinland<\/td>\r\n<\/tr>\r\n
She Wolf Totem (T\u00f3tem Loba)<\/td>\r\nVer\u00f3nica Echegui<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Stagnant Water<\/td>\r\nCoraline Zorea<\/td>\r\nIsrael<\/td>\r\n<\/tr>\r\n
Spiral<\/td>\r\nSalla Sorri & Eva-Maria Koskinen<\/td>\r\nFinland<\/td>\r\n<\/tr>\r\n
The Diaper Cake<\/td>\r\nAnastasia Babenko<\/td>\r\nUkraine<\/td>\r\n<\/tr>\r\n
The Speech (Le discours)<\/td>\r\nMohammad Hijazi<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Official Competition supported by Sony Asia International Competition<\/td>\r\n<\/tr>\r\n
Breathless (\u9f8d\u7f69)<\/td>\r\nWayne Yu<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
DARK YELLOW<\/td>\r\nHyesun KOO<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
From the Painter’s View<\/td>\r\nGoli Zarei<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Hold on little shark<\/td>\r\nkun yu tan<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Influencer<\/td>\r\nJared Lee<\/td>\r\nMalaysia<\/td>\r\n<\/tr>\r\n
Kids of Paradise<\/td>\r\nMo Sha<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Overtone (\u6cdb\u97f3)<\/td>\r\nChih-yu Liu<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
Penguin Girl\u00a0 (\u547d\u4e2d\u8a3b\u5b9a\u90a3\u982d\u9d5d)<\/td>\r\nYuyu Yang<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
Rooster (Gong ji)<\/td>\r\nMyo\u00a0Aung<\/td>\r\nMyanmar<\/td>\r\n<\/tr>\r\n
The Headhunter’s Daughter (Hija ti Mengor)<\/td>\r\nDon Josephus Raphael Eblahan<\/td>\r\nPhilippines<\/td>\r\n<\/tr>\r\n
Turtle Soup<\/td>\r\nCho\u0101nn<\/td>\r\nSingapore<\/td>\r\n<\/tr>\r\n
Official Competition supported by Sony Japan Competition<\/td>\r\n<\/tr>\r\n
I order you<\/td>\r\n\u65e9\u5742 \u4eae\u8f14 ( Ryosuke Hayazaka)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u3042\u308a\u304c\u3068\u3046 (Gratitude)<\/td>\r\n\u6c38\u5c71 \u745b\u592a (Eita Nagayama)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u3042\u3093\u305f (sparklers)<\/td>\r\n\u5343\u8449 \u96c4\u5927 (Yudai Chiba)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u3044\u304f\u3048\u306b\u3082\u3002(Over And Over Again)<\/td>\r\n\u9752\u67f3 \u7fd4 (Sho Aoyagi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u97f3\u306e\u7121\u3044\u90e8\u5c4b (A Room Without Sound)<\/td>\r\n\u540d\u5609\u771f \u5d07\u4ecb (Takayuki Nakama)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u5e30\u308a\u9053<\/td>\r\n\u6734 \u82f1\u4e8c (Park Yeong I)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
THE LIMIT \u30bf\u30af\u30b7\u30fc\u306e\u5973 (THE LIMIT Taxi Girl)<\/td>\r\n\u5409\u7530 \u771f\u4e5f (Masaya Yoshida)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u3058\u3044\u306e\u3051 (A Strand of Regret)<\/td>\r\n\u9053\u4e0a \u5bff\u4eba (Hisato Michigami)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u5bbf\u984c (Homework)<\/td>\r\n\u5c71\u672c \u7406\u7d17 (Risa Yamamoto)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u30b9\u30af\u30fc\u30d7 (SCOOOP)<\/td>\r\n\u4f0a\u6771 \u6df3 (Atsushi Ito)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
ZEN<\/td>\r\n\u5bae\u539f \u62d3\u4e5f (Takuya Miyahara)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u7dda\u9999\u82b1\u706b (SENKO-HANABI)<\/td>\r\n\u9ed2\u6728 \u77b3 (Hitomi Kuroki)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u6b63\u3057\u3044\u3042\u3068\u3055\u304d<\/td>\r\n\u624b\u585a \u609f (Satoru Tezuka)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u305f\u3060\u306e\u590f\u306e\u65e5\u306e\u8a71\u00a0 (Just Another Summer Day)<\/td>\r\n\u677e\u5ca1 \u82b3\u4f73 (Yoshika Matsuoka)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u809d\u611b\u3055 (CHIMUGANASA)<\/td>\r\n\u5bae\u57ce \u590f\u9234 (Karin Miyagi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u88f8\u8db3 (Barefoot)<\/td>\r\n\u7530\u4e4b\u4e0a \u88d5\u7f8e (Hiromi Tanoue)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u30cf\u30c3\u30d4\u30fc\u30fb\u30c7\u30b9\u30fb\u30c7\u30fc (happy death day)<\/td>\r\n\u30ab \u30c4\u30f2 (Katsuwo)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u50d5\u306f\u3044\u3064\u3082\u5c11\u3057\u5618\u3092\u3064\u304f<\/td>\r\n\u677e\u4e95 \u967d\u97f3 (Akito Matsui)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u7261\u4e39\u306e\u82b1 (Summer Ends)<\/td>\r\n\u571f\u5c45 \u4f51\u9999 (Yuuka Doi)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u7a93\uff0fles fen\u00eatres (the windows)<\/td>\r\n\u6e05\u539f \u5343\u9999\u5b50 (Chikako Kiyohara)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u7269\u8a9e (STORY)<\/td>\r\n\u7389\u57ce \u30c6\u30a3\u30ca (Tina Tamashiro)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u7406\u89e3\u3055\u308c\u308b\u4f53\u529b (Communication to be understood)<\/td>\r\n\u524d\u7530 \u6566\u5b50 (Atsuko Maeda)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
LAYERS<\/td>\r\n\u5185\u5c71 \u62d3\u4e5f (Takuya Uchiyama)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Perdue dans l’\u00c9den (Lost in Eden)<\/td>\r\nHakim Hayashi<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
WILD CHERRY<\/td>\r\n\u5449\u6751 \u82b3\u5efa (Yoshi Kuremura)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Animation Competition<\/td>\r\n<\/tr>\r\n
A Goat’s Spell<\/td>\r\nGerhard Funk<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
BOA<\/td>\r\nNicolas Eduardo Parra<\/td>\r\nColombia<\/td>\r\n<\/tr>\r\n
\u5fc3\u306e\u4e00\u4eba\u65c5. (A journey into yourself – with GINGA KOGEN BEER -)<\/td>\r\n\u7267\u91ce \u60c7 (Atsushi Makino)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
fishing (\u30d5\u30a3\u30c3\u30b7\u30f3\u30b0)<\/td>\r\n\u91d1\u53cb\u90a3\u6d25\u5e0c (Natsuki Kanetomo)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Goodness (\u30b0\u30c3\u30c9\u30cd\u30b9 )<\/td>\r\n\u8ecd\u5730 \u4f51\u4ecb (Yusuke Gunji)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Home of the heart.\u00a0\u00a0 (\u00c0 c\u0153ur perdu)<\/td>\r\nSarah Saidan<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Man\u014d<\/td>\r\nBrittany Biggs<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
MARE<\/td>\r\n\u77f3\u7530 \u305f\u307e\u304d (Tamaki Ishida)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Sweet Nothing<\/td>\r\nJoana Fischer &\u00a0 Marie Kenov<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
Terra Incognita<\/td>\r\nPernille Kjaer & Adrian Dexter<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Thanks Again\uff01(\u307e\u3044\u3069\uff01)<\/td>\r\nYifan Jiang<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
The Fantastic Flying Competition.\u00a0 (De fantastische vliegwedstrijd)<\/td>\r\nJohn Croezen<\/td>\r\nNetherlands<\/td>\r\n<\/tr>\r\n
The Story about 2020<\/td>\r\nPeeko Wong & Chi Kin Wong<\/td>\r\nMacao<\/td>\r\n<\/tr>\r\n
Unnecessary things<\/td>\r\nDmytro Lisenbart<\/td>\r\nUkraine<\/td>\r\n<\/tr>\r\n
Wings to the Sun<\/td>\r\nKen Mimura<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Non-Fiction Competition<\/td>\r\n<\/tr>\r\n
11.6\u79d2\u306e\u4e16\u754c.\u00a0 (World of 11.6 seconds)<\/td>\r\n\u5bae\u5d0e\u5b8f\u8208 \u6c60\u672c\u548c\u5f18 (Hirooki Miyazaki & Kazuhiro Ikemoto)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Brother<\/td>\r\nMile Nagaoka<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u3053\u3053\u304b\u3089\u307f\u3048\u308b\u666f\u8272 \/ LIVING WHILE BLACK IN JAPAN<\/td>\r\n\u6df1\u7530\u5fd7\u7a42\uff06\u30d9\u30c3\u30c9\u30d5\u30a9\u30fc\u30c9\u30fb\u30ad\u30fc\u30b9\uff08Shiho Fukada & Keith Bedford\uff09<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u6bcd (haha)<\/td>\r\n\u68ee\u5c71 \u4e45\u592b (Hisao Moriyama)<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Nanmin<\/td>\r\nAdam Shaw<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Prawn Noodles and a Dream<\/td>\r\nDing Jie (DJ) Ng<\/td>\r\nSingapore<\/td>\r\n<\/tr>\r\n
The Land of Whispering Stars<\/td>\r\nAyaal Adamov<\/td>\r\nRussian Federation<\/td>\r\n<\/tr>\r\n
The Sight of Blue. (Les Yeux Grands Ouverts)<\/td>\r\nPierre Bouquet<\/td>\r\nBelgium<\/td>\r\n<\/tr>\r\n
Transparent, I am.<\/td>\r\nYuri Muraoka<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n

The official festival selections will be made from out of the shortlisted films that were posted monthly until this month and will be announced on the official festival website on April 28, 2022. In addition to the five main competition selections, the films in other competitions and the special program films that will be screened at our festival will also be announced at the same time.<\/p>\r\n\r\n\r\n","protected":false},"featured_media":12610,"parent":0,"template":"","e_news_cat":[550],"class_list":["post-12594","news_en","type-news_en","status-publish","has-post-thumbnail","hentry","e_news_cat-creators"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en\/12594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en"}],"about":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/types\/news_en"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media\/12610"}],"wp:attachment":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media?parent=12594"}],"wp:term":[{"taxonomy":"e_news_cat","embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/e_news_cat?post=12594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}