{"id":13162,"date":"2022-10-31T14:00:16","date_gmt":"2022-10-31T05:00:16","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?post_type=news_en&p=13162"},"modified":"2022-11-29T21:53:34","modified_gmt":"2022-11-29T12:53:34","slug":"2023shortlist1st","status":"publish","type":"news_en","link":"https:\/\/shortshorts.org\/content\/news_en\/creators\/2023shortlist1st\/","title":{"rendered":"Announcement of SSFF & ASIA 2023 shortlist (1st)"},"content":{"rendered":"

\"\"The Short Shorts Film Festival & Asia has released, beginning in August, 2022, a shortlist from among the entries for the five Academy Awards\u00ae categories (International, Asia International, Japan, Animation, & Non-fiction). In August, we received a total of about 900 entries. There were many entries from the United States, France, the United Kingdom, and from China, Iran, & Taiwan in Asia. 34% of the submitted films were directed by female filmmakers, 29 % from first time filmmakers and 28 % were student projects. Due to the spread of Covid on a global scale, we have received many films relating to family dramas with stories about getting along and spending more time with each other. In addition, due to the influence of changes in lifestyle, films shot in one location have been increasing. Although there were many submissions of family dramas, they were not necessarily all of heavy themes, and we have seen an increase in comedies and fantasy. A very good start for the 2023 festival, our 25th<\/sup>, to see the filmmakers\u2019 passion and desire to deliver positive messages in our current world where sad and frightening news seem to dominate our everyday lives.<\/p>\r\n\r\n\r\n\r\n

https:\/\/www.shortshorts.org\/creators\/en<\/a> \u00a0<\/p>\r\n

 <\/p>\r\n

\u301cSSFF & ASIS 2023 shortlist(1st)\uff5e
<\/em><\/strong>~ The name of the film, the director name, and the country name will be listed in alphabetical order by category ~<\/p>\r\n\r\n

\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\u00a0Title<\/td>\r\nDirector<\/td>\r\nCountry of Origin<\/td>\r\n<\/tr>\r\n
\u25a0International\uff0fLive-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
AirHostess-737<\/td>\r\nThanasis Neofotistos<\/td>\r\nGreece<\/td>\r\n<\/tr>\r\n
Amala<\/td>\r\nNivetha Balasubramaniam<\/td>\r\nDenmark<\/td>\r\n<\/tr>\r\n
Break Hour (Hora Petrolera)<\/td>\r\nEmilio Braojos<\/td>\r\nMexico<\/td>\r\n<\/tr>\r\n
Brick Head (Tete de brique)<\/td>\r\nAlexis Manenti<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Deloping<\/td>\r\nJon Olav Stokke<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
El Carrito<\/td>\r\nZahida Pirani<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
FAIRPLAY<\/td>\r\nZoel Aeschbacher<\/td>\r\nSwitzerland, France<\/td>\r\n<\/tr>\r\n
Goodbye Persil (Goodbye Persil)<\/td>\r\nUgo Savouillan<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Green Fit<\/td>\r\nMaxime Pistorio<\/td>\r\nBelgium<\/td>\r\n<\/tr>\r\n
Hikikomori<\/td>\r\nBorja Crespo<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Killing Bagheera (\u0628\u0637\u0644\u0627\u0646)<\/td>\r\nMuschirf Shekh Zeyn<\/td>\r\nSyrian Arab Republic<\/td>\r\n<\/tr>\r\n
Make Love<\/td>\r\nAlex Osmolovsky<\/td>\r\nIsrael<\/td>\r\n<\/tr>\r\n
Mud Crab<\/td>\r\nDavid Robinson-Smith<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
NO KEY<\/td>\r\nWalid MESSNAOUI<\/td>\r\nMorocco<\/td>\r\n<\/tr>\r\n
Not My Skin<\/td>\r\nBalint Klopfstein-Laszlo<\/td>\r\nHungary<\/td>\r\n<\/tr>\r\n
NOT TOMORROW<\/td>\r\nAMERISSA BASTA<\/td>\r\nGreece<\/td>\r\n<\/tr>\r\n
Off Side<\/td>\r\nSophie Martin<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Pivot Pals<\/td>\r\nDoron Drew Feldman<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Pro Pool (Piscine pro)<\/td>\r\nAlec Pronovost<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Safe as Houses<\/td>\r\nMia Mullarkey<\/td>\r\nIreland<\/td>\r\n<\/tr>\r\n
Sami’s Fugue<\/td>\r\nVincent Tricon<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Sorry No Vacancy (Der Inhalt eines B\u00fcnzlis)<\/td>\r\nLars Alexander Wicki<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
Spotless<\/td>\r\nEmma Branderhorst<\/td>\r\nNetherlands<\/td>\r\n<\/tr>\r\n
The Deportation of a Model Citizen<\/td>\r\nJacob Thomas Pilgaard<\/td>\r\nDenmark<\/td>\r\n<\/tr>\r\n
The Devil<\/td>\r\nJan Bujnowski<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
the red suitcase (La valise rouge)<\/td>\r\nCYRUS NESHVAD<\/td>\r\nLuxembourg<\/td>\r\n<\/tr>\r\n
The Silent ones (Les Silencieux)<\/td>\r\nBasile Vuillemin<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
vic<\/td>\r\nSchubert Luis<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
Victim<\/td>\r\nRobin SUMMONS<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
Where It’s Beautiful When It Rains<\/td>\r\nHarley Chamandy<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
\u25a0Asia International \/ Live-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
A New Apartment<\/td>\r\nSzu-Wei Chen<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
Adjustment<\/td>\r\nMehrdad Hasani<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Aunt Lotus & Her Dream Bicycle<\/td>\r\nKew Lin<\/td>\r\nSingapore<\/td>\r\n<\/tr>\r\n
Falling up<\/td>\r\nMaryam Bakhtiari<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Foreign Uncle\u00a0<\/td>\r\nSining Xiang<\/td>\r\nChina, United States<\/td>\r\n<\/tr>\r\n
Girls<\/td>\r\nQiwen Zhang<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Goo<\/td>\r\nJack Li<\/td>\r\nChina, Canada<\/td>\r\n<\/tr>\r\n
GOODTIME<\/td>\r\nDONG-IN KANG<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
Little Love<\/td>\r\nAizhan Kassymbek<\/td>\r\nKazakhstan<\/td>\r\n<\/tr>\r\n
PHOENIX<\/td>\r\nMohsen Nabavi<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Please Hold the Line<\/td>\r\nTan Ce Ding<\/td>\r\nMalaysia<\/td>\r\n<\/tr>\r\n
Red Funeral<\/td>\r\nJane Zhang<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Ringroad<\/td>\r\nAndrew Kose<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
The Company<\/td>\r\nIlnaz Kheirkhah<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
The Silent Whistle<\/td>\r\nYingtong Li<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
The train<\/td>\r\npin luo<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Truffle Trouble (Ye Choom_Ye Lang)<\/td>\r\nYaser Barzegar<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Vania on Lima Street<\/td>\r\nBayu Prihantoro Filemon<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
Young People, Old People & Nothing in Between (\u0e27\u0e32\u0e22\u0e1b\u0e47\u0e2d\u0e1a)<\/td>\r\nParida Tantiwasadakran<\/td>\r\nThailand<\/td>\r\n<\/tr>\r\n
\u25a0Animation Competition<\/strong><\/td>\r\n<\/tr>\r\n
Boogerly Love<\/td>\r\nKano Ikeda<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Catisfaction<\/td>\r\nAndre Marques Almeida<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n
HYSTERESIS<\/td>\r\nRobert Seidel<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
Impurrfection<\/td>\r\nChiang Yao<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
IRON PLEDGE<\/td>\r\nKurumi Hakamata<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Krasue<\/td>\r\nRyo Hirano<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Night<\/td>\r\nAhmad Saleh<\/td>\r\nPalestine, State of<\/td>\r\n<\/tr>\r\n
Parade<\/td>\r\nAkihiro Watabiki<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
On my Bicycle (A Bicyclette)<\/td>\r\nOc\u00e9ane Lavergne, Benjamin Langagne, Lucas Durot, Pierre Cilluffo, Marine Beuvain & Kerrian Detay<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
SCALE<\/td>\r\nJoseph Pierce<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Slouch<\/td>\r\nMichael Bohnenstingl<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Synchrony (Synchronie Passag\u00e8re)<\/td>\r\nJulia Le Bras-Juarez, Emmie Marriere, Marianne Fourmanoit, Laura Techer, Louise-Marie Rousselie & Jean Delamarre & Alexis Prost<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
The Island of Us<\/td>\r\nYu Yu<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
The Record<\/td>\r\nJonathan Laskar<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
The Thief<\/td>\r\nArturo Brena<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
\u25a0Non-Fiction Competition<\/strong><\/td>\r\n<\/tr>\r\n
A different view<\/td>\r\nCamila Silva<\/td>\r\nNicaragua<\/td>\r\n<\/tr>\r\n
Blue Dots<\/td>\r\nLorenzo Squarcia<\/td>\r\nItaly<\/td>\r\n<\/tr>\r\n
End of the Road<\/td>\r\nIvana Todorovic<\/td>\r\nSerbia<\/td>\r\n<\/tr>\r\n
From Dreams to Dust<\/td>\r\nStephanie Tangkilisan & Muhammad Fadli<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Live Till I Die<\/td>\r\nGustav \u00c5gerstrand, \u00c5sa Ekman, Anders Teigen & Oscar Hedin Hetteberg<\/td>\r\nSweden<\/td>\r\n<\/tr>\r\n
\u25a0Japan \/ Live-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
Bird Woman<\/td>\r\nTokio Ohara<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
CHANGE<\/td>\r\nWilliam Sinclair<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Scabiosa<\/td>\r\nTsuyoshi Takamura<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Shall we love you?<\/td>\r\nHaruna Tanaka<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Sowing Love<\/td>\r\nKoichi Yamashina<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Tofu<\/td>\r\nHiroyuki Nishiyama<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
What do to do to be like you<\/td>\r\nChris Rudz<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\nFestival selections will be made from among the shortlisted films. The shortlist films will be selected monthly until the end of March, 2023 and will be uploaded on the festival’s official website by the end of April, 2023.This month’s shortlist is mainly for films submitted by the end of August, but the timing of the announcements may vary.<\/figure>","protected":false},"featured_media":13159,"parent":0,"template":"","e_news_cat":[550,641],"class_list":["post-13162","news_en","type-news_en","status-publish","has-post-thumbnail","hentry","e_news_cat-creators","e_news_cat-filmfestival"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en\/13162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en"}],"about":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/types\/news_en"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media\/13159"}],"wp:attachment":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media?parent=13162"}],"wp:term":[{"taxonomy":"e_news_cat","embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/e_news_cat?post=13162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}