{"id":13214,"date":"2022-11-30T14:00:29","date_gmt":"2022-11-30T05:00:29","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?post_type=news_en&p=13214"},"modified":"2022-11-29T21:53:25","modified_gmt":"2022-11-29T12:53:25","slug":"2023shortlist2nd","status":"publish","type":"news_en","link":"https:\/\/shortshorts.org\/content\/news_en\/creators\/2023shortlist2nd\/","title":{"rendered":"Announcement of SSFF & ASIA 2023 shortlist (2nd)"},"content":{"rendered":"

\"\"Since August, 2021, the Short Shorts Film Festival & Asia began releasing a shortlist from among the entries for the five Academy Awards\u00ae eligible categories (International, Asia International, Japan, Animation, & Non-fiction) for the following year\u2019s festival. For next year\u2019s SSFF & Asia 2023, in September this year, we received a total of 1190 entries. In particular, there were many entries from the United States, France, the United Kingdom, Canada and from China, Korean, Iran, & Taiwan in Asia. About 40% of the submitted films were directed by female filmmakers and 30% from first time filmmakers. Due to the continued impact of the Covid crisis, there were many shorts with the theme of connections among people, on the Internet through online meetings and apps, as well as coming-of-age, adolescent friendships.<\/p>\r\n\r\n\r\n\r\n

https:\/\/www.shortshorts.org\/creators\/en<\/a> \u00a0 \u301cSSFF & ASIS 2023 shortlist(2nd)\uff5e <\/em><\/strong>~ The name of the film, the director name, and the country name will be listed in alphabetical order by category ~<\/p>\r\n\r\n

\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\u00a0Title<\/td>\r\nDirector<\/td>\r\nCountry of Origin<\/td>\r\n<\/tr>\r\n
\u25a0International\uff0fLive-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
39<\/td>\r\nMart\u00edn Delfino Guevara<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
\u00c0 LA VIE \u00c0 L’AMOR<\/td>\r\nEmilie Mannering<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
A Shore Away (L’autre rive)<\/td>\r\nGa\u00eblle Graton<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
All-inclusive<\/td>\r\nDuv\u00e1n Duque Vargas<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Aspan<\/td>\r\nWahlberg Cornelia<\/td>\r\nSweden<\/td>\r\n<\/tr>\r\n
Bergie<\/td>\r\nDian Weys<\/td>\r\nSouth Africa<\/td>\r\n<\/tr>\r\n
Bibimbap for One<\/td>\r\nElla Greenwood<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Boys’ Things<\/td>\r\nRaquel Colera<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Buffer Zone<\/td>\r\nSavvas Stavrou<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Datsun<\/td>\r\nMark Albiston<\/td>\r\nNew Zealand<\/td>\r\n<\/tr>\r\n
Ditch<\/td>\r\nNellie Carrier<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
EL GRILLO<\/td>\r\nCarlos Hernandez Vazquez<\/td>\r\nMexico<\/td>\r\n<\/tr>\r\n
Everything At Once<\/td>\r\nHenrik Dyb Zwart<\/td>\r\nNorway<\/td>\r\n<\/tr>\r\n
Face Not Recognized. Try Again.<\/td>\r\nAlso Sisters<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Favour on the Fourth Floor<\/td>\r\nHarry Quinlan<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
The Sky is Falling<\/td>\r\nChait Shira<\/td>\r\nIsrael<\/td>\r\n<\/tr>\r\n
Have a Nice day Forever<\/td>\r\nTatiana Delaunay<\/td>\r\nNorway<\/td>\r\n<\/tr>\r\n
Hot Rod<\/td>\r\nJuliette Gilot<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
La Poule Noire<\/td>\r\nClauzel Marion<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Lothar 1999<\/td>\r\nMarie Rosselet-Ruiz<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
MERCURE<\/td>\r\nDronne Stephanie<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
More than Hair<\/td>\r\nFitch Jean<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
My Girl Friend<\/td>\r\nKawthar Younis<\/td>\r\nEgypt<\/td>\r\n<\/tr>\r\n
On my father’s grave<\/td>\r\nJawahine ZENTAR<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
On the Edge<\/td>\r\nMatteo Sanders<\/td>\r\nAustria<\/td>\r\n<\/tr>\r\n
Our Males and Females<\/td>\r\nAhmad Alyaseer<\/td>\r\nJordan<\/td>\r\n<\/tr>\r\n
PALMA<\/td>\r\nM\u00f3nica Santos<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n
Paloquemao<\/td>\r\nJeferson Cardoza Herrera<\/td>\r\nColombia<\/td>\r\n<\/tr>\r\n
Rest<\/td>\r\nPascal Glatz<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
Plurabelle<\/td>\r\nAmaral Sacha<\/td>\r\nArgentina<\/td>\r\n<\/tr>\r\n
Resurrection<\/td>\r\nLuiza Budejko<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
Rites<\/td>\r\nDami\u00e1n Vondr\u00e1\u0161ek<\/td>\r\nCzech Republic<\/td>\r\n<\/tr>\r\n
Simo<\/td>\r\nAziz Zoromba<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
The Code of Family<\/td>\r\nKayla Sun<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
The good father<\/td>\r\nJorge Ca\u00f1ada Escorihuela<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
The Lone Wolf<\/td>\r\nFilipe Melo<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n
The Sun Sets on Beirut<\/td>\r\nDaniela Stephan<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
THE VAN<\/td>\r\nBERNARD BADION<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
THURSDAY<\/td>\r\nBren Cukier<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
U.N. Slap Commission<\/td>\r\nK\u00e4mpf Stephan, Burkhardt Valentin<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
Video Funeral<\/td>\r\nLinh Tran<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Virga<\/td>\r\nJean-Fran\u00e7ois Leblanc<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Vortex<\/td>\r\nGuilherme Branquinho<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n
We’re Too Good For This<\/td>\r\nMissy Malek<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Whale<\/td>\r\nLorna Fitzsimons<\/td>\r\nIreland<\/td>\r\n<\/tr>\r\n
\u25a0Asia International \/ Live-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
A lullaby for yellow roses (Sub Eng)<\/td>\r\nRahul Roye<\/td>\r\nIndia<\/td>\r\n<\/tr>\r\n
Acid Base<\/td>\r\nShirin Ekhlasi<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Big Day<\/td>\r\nChiang Chung-Chieh<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
Cut<\/td>\r\nMin-Zun Son<\/td>\r\nSouth Korea<\/td>\r\n<\/tr>\r\n
DANCING COLORS<\/td>\r\nFahriyansyah M. Reza<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
Further and Further Away<\/td>\r\nPolen Ly<\/td>\r\nCambodia<\/td>\r\n<\/tr>\r\n
Graveyard of Horses<\/td>\r\nXiaoxuan Jiang<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
LAST DAYS OF SUMMER<\/td>\r\nStenzin Tankong<\/td>\r\nIndia<\/td>\r\n<\/tr>\r\n
My Mother, At The Beach<\/td>\r\nDesmond NG<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
Rule<\/td>\r\nYitong Liu<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Shar Avtobus (Yellow Bus)<\/td>\r\nPurevdash Zoljargal<\/td>\r\nMongolia<\/td>\r\n<\/tr>\r\n
Sunflower<\/td>\r\nBenson Koo<\/td>\r\nHong Kong<\/td>\r\n<\/tr>\r\n
The Golden Hour<\/td>\r\nYoung KIM<\/td>\r\nSouth Korea<\/td>\r\n<\/tr>\r\n
The House of Brick and Stone<\/td>\r\nAnanth Subramaniam<\/td>\r\nMalaysia<\/td>\r\n<\/tr>\r\n
Towards the Night<\/td>\r\nSaeid Keshavarz<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Tuo Tuo<\/td>\r\nAn Chu<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
Will You Look At Me<\/td>\r\nShuli Huang<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
you are my ocean<\/td>\r\nDonglin Liu<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
\u25a0Animation Competition<\/strong><\/td>\r\n<\/tr>\r\n
A TINY MAN<\/td>\r\nAude David, Mika\u00ebl Gaudin<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Color-less<\/td>\r\nEstefan\u00eda Pi\u00f1eres Duque<\/td>\r\nColombia<\/td>\r\n<\/tr>\r\n
Death of The Gods<\/td>\r\nLeto Stojanovic Meade<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
El After del Mundo<\/td>\r\nFlorentina Gonzalez<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Friendly Fire<\/td>\r\nTom Koryto Blumen<\/td>\r\nIsrael<\/td>\r\n<\/tr>\r\n
Ice Merchants<\/td>\r\nJo\u00e3o Gonzalez<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n
La tielle s\u00e9toise<\/td>\r\nMAZARS Lucy, PASCAL Aur\u00e9lien, ROUSSEL Clara, KINOWSKI Thomas, BORSCIA Carla, JAIN Amish, BOURGOUIN Joris<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Magnified City<\/td>\r\nIsaku Kaneko<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
MARONII<\/td>\r\nALLONNEAU Dimitri, GUITET Maxime, PLATA Lucas, Nguyen Ngoc Mai, Matuszczak Guilian<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Mosaic<\/td>\r\nEleonora Berra<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
Salvation Has No Name<\/td>\r\nJoseph Wallace<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
The Bridge<\/td>\r\nIzumi Yoshida<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
The Garbage Man<\/td>\r\nLaura Gon\u00e7alves<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n
The House of Loss<\/td>\r\nJinkyu Jeon<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
The Legend of Goldhorn<\/td>\r\nLea Vucko<\/td>\r\nSlovenia<\/td>\r\n<\/tr>\r\n
The Pink Jacket<\/td>\r\nM\u00f3nica Santos<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n
Think something nice<\/td>\r\nGentinetta Claudius<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
\u25a0Non-Fiction Competition<\/strong><\/td>\r\n<\/tr>\r\n
Eco-Hack!<\/td>\r\nMarty Brett, Izenberg Josh<\/td>\r\nUnited States of America<\/td>\r\n<\/tr>\r\n
Dream on Leon<\/td>\r\nRoger Gari\u00e9py<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Hardcore<\/td>\r\nAd\u00e1n Aliaga<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Queer Mongol<\/td>\r\nBrandt Miller<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
PUNISHMENT ISLAND<\/td>\r\nMatt Bish<\/td>\r\nUganda<\/td>\r\n<\/tr>\r\n
Requiem for a Whale<\/td>\r\nIdo Weisman<\/td>\r\nIsrael<\/td>\r\n<\/tr>\r\n
The Other Side of Paradise<\/td>\r\nElliott Watson<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
The Rohingya Photographer<\/td>\r\nAbolfazl Talooni, Anna Snowball<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Washers for Rent<\/td>\r\nJeferson Romero<\/td>\r\nColombia<\/td>\r\n<\/tr>\r\n
\u25a0Japan \/ Live-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
“BORDER”<\/td>\r\nMai\u3000Nakanishi<\/td>\r\nSouth Korea , Japan<\/td>\r\n<\/tr>\r\n
\u5f85\u3061\u4eba\u6765\u305f\u3089\u305a<\/td>\r\nJunichi Shikano<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Falling in Love with A\u266f<\/td>\r\nKohei Hirota<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Mirai To Future<\/td>\r\nErika Nakayama<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Rainbow Honey<\/td>\r\nKeiko Umenoki<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Taiyo<\/td>\r\nKensaku Kakimoto<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\nFestival selections will be made from among the shortlisted films. The shortlist films will be selected monthly until the end of March, 2023 and will be uploaded on the festival’s official website by the end of April, 2023.This month’s shortlist is mainly for films submitted by the end of August, but the timing of the announcements may vary.<\/figure>","protected":false},"featured_media":13215,"parent":0,"template":"","e_news_cat":[550,641],"class_list":["post-13214","news_en","type-news_en","status-publish","has-post-thumbnail","hentry","e_news_cat-creators","e_news_cat-filmfestival"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en\/13214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en"}],"about":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/types\/news_en"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media\/13215"}],"wp:attachment":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media?parent=13214"}],"wp:term":[{"taxonomy":"e_news_cat","embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/e_news_cat?post=13214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}