{"id":13289,"date":"2022-12-31T14:00:50","date_gmt":"2022-12-31T05:00:50","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?post_type=news_en&p=13289"},"modified":"2023-03-10T11:44:51","modified_gmt":"2023-03-10T02:44:51","slug":"2023sl-3","status":"publish","type":"news_en","link":"https:\/\/shortshorts.org\/content\/news_en\/creators\/2023sl-3\/","title":{"rendered":"Announcement of SSFF & ASIA 2023 Shortlist (#3)"},"content":{"rendered":"

\"\" Since August, 2021, the Short Shorts Film Festival & Asia began releasing a shortlist every month from among the entries for the five Academy Awards\u00ae eligible categories (International, Asia International, Japan, Animation, & Non-fiction) for the following year\u2019s festival. For next year\u2019s 25th<\/sup> Anniversary edition of the SSFF & Asia 2023, in October this year, we received a total of 470 entries. In particular, there were many entries from the United States, France, Spain, and China. About 40% of the submitted films were directed by female filmmakers and 30% from first time filmmakers. There were many dramas about immigration issues & its trials & tribulations. Many stories were of the female experience such as postpartum depression, anxiety, & fatigue through the eyes of new mothers. As usual, we are receiving outstanding short films in the Non-fiction & Animation competitions with France especially coming on strong with animated works.<\/p>\r\n

Now only one month remaining until the submission deadline. We\u2019re looking forward to many more submissions from you. Get them in before the rush!<\/p>\r\n\r\n\r\n\r\n

https:\/\/www.shortshorts.org\/creators\/en<\/a> \u00a0<\/p>\r\n

 <\/p>\r\n

\u301cSSFF & ASIS 2023 shortlist(3rd)\uff5e <\/em><\/strong><\/p>\r\n

~ The name of the film, the director name, and the country name will be listed in alphabetical order by category ~<\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\u00a0Title<\/td>\r\nDirector<\/td>\r\nCountry of Origin<\/td>\r\n<\/tr>\r\n
\u25a0International\uff0fLive-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
Androgenic Alopecia<\/td>\r\nSalvador Sunyer<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Captive<\/td>\r\nPreston Peterson, Jason Boesch<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
CARLA<\/td>\r\nGuemra Kamel<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Endless Sea<\/td>\r\nSam Shainberg<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
ESTRELLAS DEL DESIERTO<\/td>\r\nKatherina Harder Sacre<\/td>\r\nChile<\/td>\r\n<\/tr>\r\n
Eternal Happiness<\/td>\r\nIsa Luengo, Sofia Esteve<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Facies<\/td>\r\nCarlos Moriana, Ra\u00fal Cerezo<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Found You<\/td>\r\nRagne Mandri<\/td>\r\nEstonia<\/td>\r\n<\/tr>\r\n
Fresh<\/td>\r\nMarie-Julie Baup<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Iago and Tristan<\/td>\r\nMiguel Ib\u00e1\u00f1ez Monroy<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
In The Long Run<\/td>\r\nYousef Assabahi<\/td>\r\nYemen<\/td>\r\n<\/tr>\r\n
My Name is Arnold<\/td>\r\nArnold Lim<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Quiet<\/td>\r\nH\u00e8ctor Romance<\/td>\r\nAndorra<\/td>\r\n<\/tr>\r\n
Sparrow<\/td>\r\nMarcin Janos Krawczyk<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
The Ballad of Maddog Quinn<\/td>\r\nMatt Inns<\/td>\r\nNew Zealand<\/td>\r\n<\/tr>\r\n
The Old Young Crow<\/td>\r\nLiam LoPinto<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
THE SHIFT<\/td>\r\nAmalie Maria<\/td>\r\nDenmark<\/td>\r\n<\/tr>\r\n
Yama<\/td>\r\nAndreas Vakalios<\/td>\r\nGreece<\/td>\r\n<\/tr>\r\n
\u25a0Asia International \/ Live-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
A Roadside Banquet – AFI Thesis<\/td>\r\nPeiqi Peng<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
East Coker<\/td>\r\nWang Hanxuan<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
Fly Away, Bird<\/td>\r\nRomil Kumar Jain<\/td>\r\nIndia<\/td>\r\n<\/tr>\r\n
Kwits<\/td>\r\nde la Torre Raz<\/td>\r\nPhilippines<\/td>\r\n<\/tr>\r\n
Morning Begins at 4:30<\/td>\r\nIvan Law<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
On Up The Forking Road<\/td>\r\nZHENGYU JI<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
School Uniform<\/td>\r\nYe-ram KIM<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
seven minutes and thirty-one seconds<\/td>\r\nSolmaz Gholami<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Silkworm.<\/td>\r\nAmir Honarmand<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Unfamiliar Familiar<\/td>\r\nHae-Sup Sin<\/td>\r\nSouth Korea \/ Switzerland<\/td>\r\n<\/tr>\r\n
\u25a0Japan \/ Live-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
Kaiju Girl<\/td>\r\nTakafumi Sakabe<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Scapegoat<\/td>\r\nShun Tachizono<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Serpent in a woman<\/td>\r\nRie Sasaki<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
When She Dresses Up<\/td>\r\nYoshika Nakayama<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u305f\u307e\u306b\u306f\u8239\u306b\u3067\u3082\u4e57\u308d\u3046\u304b<\/td>\r\nYosuke Sumi<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u25a0Animation Competition<\/strong><\/td>\r\n<\/tr>\r\n
Ashkasha<\/td>\r\nLara Maltz<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
ECHOES<\/td>\r\nIV\u00c1N ORD\u00c1S<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Epicenter<\/td>\r\nHee-yoon Hahm<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
ROALD<\/td>\r\nBIGACHE Clara, CHAVALLE Laurent, CHENE Julie, CHOPINET Thibault, GAUCHERON Armand, LHEUREUX Alexis & PRONE Maxime<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
The Bolt’s Story<\/td>\r\nMohammadReza Alimorad<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
The Well<\/td>\r\nPeter Stanley-Ward<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
TRAJECTOIRE<\/td>\r\nBEGUIN Guillaume, ESQUER Brice, HURTAK Nathalie, LAYRE Noemie, LONGO Serena, ROUSSEAU Leon, SAVARIT-BODIN Allan, WALLEZ Clement<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Zoo<\/td>\r\nTariq Rimawi<\/td>\r\nJordan<\/td>\r\n<\/tr>\r\n
\u25a0Non-Fiction Competition<\/strong><\/td>\r\n<\/tr>\r\n
Black Summer<\/td>\r\nFelix Dierich<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n
Lake of death and Devil’s Gold<\/td>\r\nKazuya Isobe<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
The Re-education of Ji Zhihao<\/td>\r\nTian Macleod Ji<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Ulf Nawrot – 40.000 Post-Its<\/td>\r\nNolte Fabian<\/td>\r\nGermany<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n
\r\n

Festival selections will be made from among the shortlisted films. The shortlist films will be selected monthly until the end of March, 2023 and will be uploaded on the festival’s official website by the end of April, 2023.This month’s shortlist is mainly for films submitted by the end of October, but the timing of the announcements may vary.<\/p>","protected":false},"featured_media":13290,"parent":0,"template":"","e_news_cat":[550,548,641],"class_list":["post-13289","news_en","type-news_en","status-publish","has-post-thumbnail","hentry","e_news_cat-creators","e_news_cat-event","e_news_cat-filmfestival"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t