{"id":14643,"date":"2023-11-30T14:00:25","date_gmt":"2023-11-30T05:00:25","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?post_type=news_en&p=14643"},"modified":"2023-11-30T10:26:30","modified_gmt":"2023-11-30T01:26:30","slug":"2024shortlist2nd","status":"publish","type":"news_en","link":"https:\/\/shortshorts.org\/content\/news_en\/creators\/2024shortlist2nd\/","title":{"rendered":"Announcement of SSFF & ASIA 2024 shortlist (2nd)"},"content":{"rendered":"

\"\"<\/p>\r\n

We are releasing a shortlist from among the entries for the Academy Awards\u00ae eligible categories (Live-action Competition, Animation competition, and Non-fiction competition) for the Short Shorts Film Festival & Asia 2024.<\/p>\r\n

In September, we received a total of 1185 entries. In particular, there were many entries from the United States, Republic of Korea, Spain, Japan, and France, as well as Nigeria, Qatar, and Montenegro. 36% of the submitted films were directed by female filmmakers, 28% from first time filmmakers, & 27 % were student projects. Regarding film genres, we received many comedies as well as human dramas. Musical films are particularly trending right now. Also films about aliens are another trend. But these stories are not about aliens invading the Earth, or war with\u00a0space aliens\u00a0like in the past sci-fi films. These are stories about our daily lives while on a planet with other \u201calien\u201d species. The films are metaphors of how we as society need to learn to live and accept the diversity of our own world, to live in peace with all our differences.<\/p>\r\n\r\n\r\n\r\n

https:\/\/www.shortshorts.org\/creators\/en<\/a> \u00a0<\/p>\r\n

\u301cSSFF & ASIA 2024 shortlist(2nd)\uff5e
<\/em><\/strong>~ The name of the film, the director name, and the country name will be listed in alphabetical order by category ~<\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Title<\/td>\r\nDirector<\/td>\r\nCountry of Origin<\/td>\r\n<\/tr>\r\n
\u25a0International\uff0fLive-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
2720<\/td>\r\nBasil da Cunha<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n
Agnus Day<\/td>\r\nGiuseppe Isoni<\/td>\r\nItaly<\/td>\r\n<\/tr>\r\n
An Afternoon Punch-Up (Un apr\u00e8s-midi \u00e0 se fesser dessus)<\/td>\r\nGarance Chagnon-Gr\u00e9goire<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Ashen (Cenizo)<\/td>\r\nGustavo Hern\u00e1ndez de Anda<\/td>\r\nMexico<\/td>\r\n<\/tr>\r\n
Be Right Back (Ahora vuelvo)<\/td>\r\nLucas Paulin & Gabe Ib\u00e1\u00f1ez<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Brand New<\/td>\r\nQuincy Ledbetter & Denzel Whitaker<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Bunk<\/td>\r\nPiotr Jasi\u0144ski<\/td>\r\nCzech Republic<\/td>\r\n<\/tr>\r\n
Complications (Komplikasjoner)<\/td>\r\nIvar Aase<\/td>\r\nNorway<\/td>\r\n<\/tr>\r\n
Digital Diary<\/td>\r\nYasmine Scheft<\/td>\r\nIsrael<\/td>\r\n<\/tr>\r\n
Empty Your Pockets<\/td>\r\nTara Aghdashloo<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Furious (Furieuses)<\/td>\r\nThomas Vernay<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Handyman<\/td>\r\nWilliam Findinge<\/td>\r\nDenmark<\/td>\r\n<\/tr>\r\n
HARD TO SWALLOW (TIR\u00c9E PAR LES CHEVEUX)<\/td>\r\nMagali Miniac<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
I Come from the Sea<\/td>\r\nFeyrouz Serhal<\/td>\r\nLebanon<\/td>\r\n<\/tr>\r\n
INTELLIGENCE<\/td>\r\nJeanne Frenkel & Cosme Castro<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
Mussol<\/td>\r\nJuanjo Gim\u00e9nez<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
My Week with Maisy<\/td>\r\nMika Simmons<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
N\u00e9lida<\/td>\r\nMarina Artigas & Celeste Lois<\/td>\r\nUruguay<\/td>\r\n<\/tr>\r\n
On Fumes<\/td>\r\nZhengyi Liu<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Paper<\/td>\r\nCharles Wahl<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Power Signal<\/td>\r\nOscar Boyson<\/td>\r\nUnited States<\/td>\r\n<\/tr>\r\n
Quiet Night Thought (\u9759\u591c\u601d)<\/td>\r\nYuxin Cao<\/td>\r\nAustralia<\/td>\r\n<\/tr>\r\n
Shooting Watermelons<\/td>\r\nAntonio Donato<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Sushi<\/td>\r\nIv\u00e1n Morales<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
The things to come (L’avenir)<\/td>\r\nSantiago R\u00e1fales<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Unibrow<\/td>\r\nNedda Sarshar<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
White Ant<\/td>\r\nShalini Adnani<\/td>\r\nUnited Kingdom<\/td>\r\n<\/tr>\r\n
Yaya (Yaya Libre)<\/td>\r\nLeticia Akel Esc\u00e1rate<\/td>\r\nChile<\/td>\r\n<\/tr>\r\n
\u25a0Asia International \/ Live-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
Back to Work (\u843d\u8dd1\u4f73\u9e97)<\/td>\r\nZoe Chang<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
Basri & Salma in a Never-Ending Comedy<\/td>\r\nKhozy Rizal<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
Cross My Heart and Hope To Die<\/td>\r\nSam Manacsa<\/td>\r\nPhilippines<\/td>\r\n<\/tr>\r\n
Death Anniversary (\u0633\u0627\u0644\u0645\u0631\u06af)<\/td>\r\nArmin Keshvari<\/td>\r\nIran<\/td>\r\n<\/tr>\r\n
Maybe Someday (Kala Nanti)<\/td>\r\nPraditha Blifa<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
Red Envelope<\/td>\r\nTami N\/A Xu<\/td>\r\nTaiwan<\/td>\r\n<\/tr>\r\n
Seeding, Blossoming, Fruiting (\u50cf\u82b1\u513f\u4e00\u6837)<\/td>\r\nJunsong Ling<\/td>\r\nChina<\/td>\r\n<\/tr>\r\n
The Witness Tree (\u0938\u093e\u0915\u094d\u0937\u0940-\u0930\u0942\u0916)<\/td>\r\nNiranjan Raj Bhetwal<\/td>\r\nNepal<\/td>\r\n<\/tr>\r\n
What are you thinking? (\ubb34\uc2a8 \uc0dd\uac01)<\/td>\r\nYeonsung HWANG<\/td>\r\nKorea, Republic of<\/td>\r\n<\/tr>\r\n
YOU WILL SEE<\/td>\r\nKATHLEEN BU<\/td>\r\nSingapore<\/td>\r\n<\/tr>\r\n
\u25a0Japan \/ Live-action Competition<\/strong><\/td>\r\n<\/tr>\r\n
\u300c\u9bae\u3084\u304b\u306b\u7b11\u3063\u3066\u304f\u308c\u300d<\/td>\r\nReika Nishihata<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u4e00\u9014<\/td>\r\nKoichi Yamashina<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
fold a lie<\/td>\r\nHiroki Sato<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
salty blue<\/td>\r\nMasashi Sogawa<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
cafune<\/td>\r\nSara Masuda<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Catch up<\/td>\r\nHironori Kujiraoka<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u304f\u305d\u304f\u3089\u3048\uff01<\/td>\r\nMiyamoto Kosei\u00a0<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
FAAAWWW!!!<\/td>\r\nKoji Oniki<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u25a0Animation Competition<\/strong><\/td>\r\n<\/tr>\r\n
About a cow<\/td>\r\nPavla Ba\u0161tanov\u00e1<\/td>\r\nCzech Republic<\/td>\r\n<\/tr>\r\n
COLD SOUP (Sopa Fria)<\/td>\r\nMarta Monteiro<\/td>\r\nPortugal<\/td>\r\n<\/tr>\r\n
Crush<\/td>\r\nMichal Socha & Jakub Socha<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
GOODBYE MY WORLD (AU REVOIR MON MONDE)<\/td>\r\nEstelle Bonnardel, Quentin Devred, Baptiste Duchamps, Maxime Foltzer, Florian Maurice & Astrid Novais<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
I Saw a Ghost, and It Was Beautiful<\/td>\r\nBobby Fernando<\/td>\r\nIndonesia<\/td>\r\n<\/tr>\r\n
Long Distance<\/td>\r\nNadja Tanno<\/td>\r\nSwitzerland<\/td>\r\n<\/tr>\r\n
Madeleine<\/td>\r\nRaquel Sancinetti<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
Nube<\/td>\r\nDiego Alonso S\u00e1nchez de la Barquera Estrada<\/td>\r\nMexico<\/td>\r\n<\/tr>\r\n
SEPIA NOTES<\/td>\r\nFumiko Kumagai<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
Sheep Out<\/td>\r\nZofia Klamka<\/td>\r\nPoland<\/td>\r\n<\/tr>\r\n
Sheep Story<\/td>\r\nRakel Andr\u00e9sd\u00f3ttir<\/td>\r\nCzech Republic<\/td>\r\n<\/tr>\r\n
SILHOUETTE<\/td>\r\nAlexis Lafuente, Baptiste Gueusquin, Elliot Dreuille, Marc Forest\u00a0 & Antoni Nicola\u00ef\u00a0<\/td>\r\nFrance<\/td>\r\n<\/tr>\r\n
The First Metahuman<\/td>\r\nYi Le<\/td>\r\nNorway<\/td>\r\n<\/tr>\r\n
The Illustrated Woman (La Mujer Ilustrada)<\/td>\r\nIsabel Herguera<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Where Rabbits Come From<\/td>\r\nColin Ludvic Racicot<\/td>\r\nCanada<\/td>\r\n<\/tr>\r\n
\u25a0Non-Fiction Competition<\/strong><\/td>\r\n<\/tr>\r\n
Black Crowns (Coronas Negras)<\/td>\r\nAndr\u00e9 L\u00f4 S\u00e1nchez<\/td>\r\nMexico<\/td>\r\n<\/tr>\r\n
\u00a0(\u062f\u0627\u0631\u062a\u0627\u0634) Carpenter\u00a0<\/td>\r\nXel\u00eel Sehragerd<\/td>\r\nIran, Islamic Republic of<\/td>\r\n<\/tr>\r\n
Crooked (Torcidos)<\/td>\r\nCharlie Garc\u00eda Villalba<\/td>\r\nSpain<\/td>\r\n<\/tr>\r\n
Fugue<\/td>\r\nMaria Alice Arida<\/td>\r\nBrazil<\/td>\r\n<\/tr>\r\n
The People of the Great River<\/td>\r\nAyumi Miyano<\/td>\r\nIreland<\/td>\r\n<\/tr>\r\n
Life as usual<\/td>\r\nYuichiro Yamada<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
The Eyeball Person<\/td>\r\nYuri Muraoka\u00a0<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n
\u916a\u8fb2\u5bb6\u6700\u5f8c\u306e\u65e5\u301c\u4e16\u8a71\u306b\u306a\u3063\u305f\u547d\u3092\u3044\u305f\u3060\u304f\u301c<\/td>\r\nHitoshi Fujio<\/td>\r\nJapan<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>\r\n

Festival selections will be made from among the shortlisted films. The shortlist films will be selected monthly until the end of March, 2024 and will be uploaded on the festival’s official website by the end of April, 2024.This month’s shortlist is mainly for films submitted by the end of September, but the timing of the announcements may vary.<\/p>","protected":false},"featured_media":14639,"parent":0,"template":"","e_news_cat":[550,641],"class_list":["post-14643","news_en","type-news_en","status-publish","has-post-thumbnail","hentry","e_news_cat-creators","e_news_cat-filmfestival"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en\/14643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/news_en"}],"about":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/types\/news_en"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media\/14639"}],"wp:attachment":[{"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/media?parent=14643"}],"wp:term":[{"taxonomy":"e_news_cat","embeddable":true,"href":"https:\/\/shortshorts.org\/content\/wp-json\/wp\/v2\/e_news_cat?post=14643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}