{"id":14814,"date":"2024-02-13T14:00:00","date_gmt":"2024-02-13T05:00:00","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?post_type=news_en&p=14814"},"modified":"2024-02-14T01:21:46","modified_gmt":"2024-02-13T16:21:46","slug":"unlock-la","status":"publish","type":"news_en","link":"https:\/\/shortshorts.org\/content\/news_en\/creators\/unlock-la\/","title":{"rendered":"Event Report & Digest Movie"},"content":{"rendered":"\n

The Short Shorts Film Festival & Asia Held\u300cUNLOCK CINEMA | Short Films, <\/strong><\/h1>\n\n\n\n

Infinite Possibilities\u300d<\/strong><\/h1>\n\n\n\n

 in Hollywood to celebrate 25th anniversary<\/strong><\/h1>\n\n\n\n

\u00a0with JAPAN HOUSE Los Angeles<\/strong><\/h1>\n\n\n\n

Event Report, Digest Movie and Archive Video of the talk event are published tody<\/h2>\n\n\n\n
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Short Shorts Film Festival & Asia (SSFF & ASIA), one of Asia’s biggest international short film festivals accredited by the Academy Awards\u00ae, and the Ministry of Foreign Affairs are developing a base to promote and spread Japanese culture and as a platform for human resource development through Japan-US exchange. To commemorate the 25th anniversary of the SSFF & ASIA and the 5th anniversary of JAPAN HOUSE Los Angeles this year, we hosted one day film festival “UNLOCK CINEMA – Short Films, Infinite Possibilities” as this year\u2019s theme, at TLC Chinese Theatre.<\/p>\n\n\n\n

To kick-off the event, Ms. Yuko Kaifu, president of JAPAN HOUSE Los Angeles, appeared and introduced the film festival, stating that she was very happy to hold SSFF & ASIA in Los Angeles for the second time after the Covid pandemic. She also expressed his sympathies to the people in Japan who were affected by the Noto Peninsula earthquake that occurred in January, and also offered condolences to the victims, the safety of the region, as well as their restoration and reconstruction.<\/p>\n\n\n\n

\u201cIn addition to natural disasters, there are also many unfortunate events happening around us, such as wars and climate change. However, films can be healing and empowering. Films also connect people. It provides empathy and teaches us about different visions and cultures. It is so meaningful to be able to introduce Japanese films here in Los Angeles.\u201d<\/p>\n\n\n\n

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After the opening talk, six short films including \u201cSome Body Comes into the Light\u201d by Wim Wenders, who is attracting attention around the world with his award-winning feature \u201cPERFECT DAYS\u201d shot in Japan and \u201cHeaven is Still Far\u201d by director Ryusuke Hamaguchi, who has garnered attention from around the world because of the Academy Awards as well as three major film festivals worldwide were screened. \u201cThe Bridge” which won the SSFF & ASIA 2023 Grand Prix, George Lucas Award was also screened.<\/p>\n\n\n\n

For the talk session, Ms. Sandrine Cassidy, Senior Director of Festival, Distribution & Talent Development at the University of Southern California, served as MC with guests Mr. Takuma Takasaki, screenwriter and producer of \u201cPERFECT DAYS,” and film festival president Testuya Bessho.<\/p>\n\n\n\n

What are BRANDED SHORTS:<\/strong><\/p>\n\n\n\n

Following the introduction of Bessho and the film festival, Mr. Takasaki, juror of Branded Shorts, was introduced to the audience. Mr. Takasaki, who has worked as a creative director at the advertising agency Dentsu, is also a juror for SSFF & ASIA’s BRANDED SHORTS competition, which focuses on corporate branded movies. As producer & writer for \u201cPERFECT DAYS,\u201d he was also the nominated for the Academy Award for Best International Feature Film. He is currently drawing worldwide attention at the moment and was asked to participate in this event.<\/p>\n\n\n\n

Mr. Takasaki said that since around 2016, when “BRANDED SHORTS” started, people had moved away from TV so there was no longer a place for commercials to be seen so I went back to the basics of visual storytelling.<\/p>\n\n\n\n

BRANDED SHORTS is already in its 6th year, and each year the visual expression and creativity of the films submitted vary widely. However, what they all have in common is the world of “images” and “films” made by creators. It will be very interesting to see how BRANDED SHORTS will evolve in the future.\u201d When asked by Ms. Cassidy how the judging process is carried out and at what he looks for, he answered, \u201cI look to see if the film has emotion and moves my heart.\u201d<\/p>\n\n\n\n

Like a sibling relationship: Wim Wenders’ short film and feature film \u201cPERFECT DAYS\u201d<\/strong><\/p>\n\n\n\n

Next, the topic moved to the relationship between the feature film \u201cPERFECT DAYS” and the screened short film “Some Body Comes into the Light,” both directed by Wim Wenders.<\/p>\n\n\n\n

When asked about the fact that Wenders’ short film served as the source for his full-length work, Mr. Takasaki explained that, \u201cThe main character of PERFECT DAYS is a toilet cleaner in Tokyo. Originally, we started working with director Wim Wenders on the idea of making a short film set in a toilet. However, while we were filming, more and more episodes or scenes were filmed and we decided to turn it into a full-length movie.\u201d<\/p>\n\n\n\n

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In addition, when we were creating a scenario based on researching public toilets in Tokyo, we noticed that the homeless people in some areas, so Wim Wenders and I decided to include these areas in the story. When we talked about who to cast in the role of a homeless person, I wanted to cast a Japanese traditional buy\u014d dancer and actor Min Tanaka.<\/p>\n\n\n\n

Director Wenders originally thought that Min Tanaka, who is widely known as a dancer in Europe, would not play the small role of a homeless person. The dance scene, which was filmed over a full day on the final day of filming had such a strong impact during the editing stage that it had to be cut from the film, but director Wenders felt so strongly about the dance performance on camera, came up with the idea to make a short film out of this scene.<\/p>\n\n\n\n

Mr. Takasaki further explained that, \u201cAlthough the short film and the feature film \u201cPERFECT DAYS\u201d are completely different types of films, they have the same origin and are like brothers.\u201d<\/p>\n\n\n\n

Bessho also expressed his impressions of \u201cSome Body Comes into the Light\u201d saying, \u201cIt was a very dense piece of work,” and when he previously talked with Min Tanaka, he said, \u201cMy own dance cannot be seen on screen in the feature, but you can see what director Wim Wenders wanted to see and what he wanted the audience to see and the director\u2019s passion for the scene was expressed through the short film.<\/p>\n\n\n\n

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A quarter century of film festivals and student film productions. Changes, trends, and a vision of the future.<\/strong><\/p>\n\n\n\n

 The MC, Ms. Sandrine Cassidy also asked Bessho about the changes he has observed over his 25 years of the film festival.<\/p>\n\n\n\n

Bessho said, \u201cOf course the production environment and the stories that are told are changing as society changes and technology develops, but in recent years, we have seen the diversity of values and new ideas that transcend genres are increasing. With the development of technology and the emergence of Web3.0 and NFT\u2019s,  a creator’s economy is beginning to emerge. At SSFF & ASIA, we would like to continue to support creators and films that expand the possibilities of visual expression. To date, for SSFF & ASIA 2024, we have received 71 films with an AI theme or in which AI is used in production, and 21 short films related to NFT\u2019s\u201d<\/p>\n\n\n\n

Bessho asked MC Ms. Cassidy, who sees firsthand the films created by students at the University of Southern California (USC), whether there are any changes or trends that can be seen due to the development of Web 3.0 or other technologies.<\/p>\n\n\n\n

Ms. Cassidy said, \u201cOver the last 25 years I’ve seen a lot of diversity, a lot of self-expression.” There are many students who use experimental methods and technologies, and the US film industry in particular is seeing notable movements in XR, VR, AI, etc., and this is also having an impact.\u201d She told the audience how a USC project that utilized AI technology was screened at the SXSW\u2019s Experimental Film Competition and also at the Venice Film Festival. Last year, a VR gaming project was started, and it was introduced at the Toronto International Film Festival, showing that students are also taking on new challenges by making full use of new technologies. On the other hand, \u201cStudents think of short films as something that allows them to simply pursue their own expression without thinking about commercial aspects. That’s why I think short films are wonderful.\u201d<\/p>\n\n\n\n

The exciting thing about short films is that you can be purely creative.<\/strong><\/p>\n\n\n\n

Finally, when asked, \u201cWhat is the future of short films?” Mr. Takasaki answered, \u201cI think the point of short films is how to enjoy things that you can’t do with feature films.” I think you should do something you can’t do if you have two hours. The most interesting part is that you can get away from the constraints of development and business, etc., and be purely creative. It would be great to be in a place where you can look at the finished film and hear what your heart wants to express. I think that films created in this way will end up being compelling, and will enhance the culture of short films.\u201d<\/p>\n\n\n\n

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