{"id":15917,"date":"2024-11-30T14:00:00","date_gmt":"2024-11-30T05:00:00","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?post_type=news_en&p=15917"},"modified":"2024-11-30T14:14:48","modified_gmt":"2024-11-30T05:14:48","slug":"announcement-of-ssff-asia-2025-shot-list-vol-2","status":"publish","type":"news_en","link":"https:\/\/shortshorts.org\/content\/news_en\/creators\/announcement-of-ssff-asia-2025-shot-list-vol-2\/","title":{"rendered":"Announcement of SSFF & ASIA 2025 Shot List vol.2"},"content":{"rendered":"
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We have been releasing a shortlist from among the entries for the Academy Award\u00ae eligible categories (Live-action Competitions, Animation Competition, and Non-fiction Competition) for the Short Shorts Film Festival & Asia 2025.
In September, we received a total of 967 entries. In particular, there were many entries from the United
States, France, South Korea, China, and the United Kingdom. In addition, we received submissions from
other areas including Guatemala, Uruguay and Belarus. 24% of the submitted films were from first time
filmmakers and 26 % were student projects. Also, 30 % of the films were from the directors under 30. 45 % of them were submitted to our live-action International Competition.
Notably, films from directors in their early twenties in the International category with \u201ccoming of age\u201d storie focused on the growth from adolescence to adulthood, embarking on a journey of self-discovery.
Regarding genre and duration, 10 % of the submitted films were comedies and 56 % were under 15 min,
22 % were under 10 min, and 8% were under 5 min. We have seen an increase of shorter films with a
good sense of humor!<\/p>\n\n\n\n


\u00a0~SSFF & ASIA 2025 Short List vol.2 ~<\/strong><\/p>\n\n\n\n

The name of the film, the director name, and the country name will be listed in alphabetical order
by category <\/p>\n\n\n\n

Project Title<\/strong><\/td>Directors<\/strong><\/td>Country of Origin<\/strong><\/td><\/tr>
International<\/strong> Category<\/strong><\/td>\u3000<\/td>\u3000<\/td><\/tr>
400 Cassettes<\/td>Thelyia Petraki<\/td>GREECE<\/td><\/tr>
A Bird Flew (Un p\u00e1jaro vol\u00f3)
<\/td>		Leinad P\u00e1jaro De la Hoz<\/td>CUBA<\/td><\/tr>
African Family Dinner<\/td>Ibrahim Mursal<\/td>NORWAY<\/td><\/tr>
Al fresco<\/td>Ignacio Rod\u00f3<\/td>SPAIN<\/td><\/tr>
Bondi Boy<\/td>Rhavin Banda
<\/td>		AUSTRALIA<\/td><\/tr>
Brighter Days<\/td>Sheida Sheikhha<\/td>CZECH REPUBLIC<\/td><\/tr>
Calico<\/td>Jake Mavity<\/td>UNITED KINGDOM<\/td><\/tr>
Chico<\/td>Enzo Lorenzo<\/td>FRANCE<\/td><\/tr>
A piece of meat<\/td>P\u00e9ter Goretic<\/td>HUNGARY<\/td><\/tr>
Em & Selma Go Griffin Hunting<\/td>Alexander Thompson<\/td>UNITED STATES<\/td><\/tr>
Garan<\/td>Mahsum Ta\u015fk\u0131n<\/td>TURKEY<\/td><\/tr>
Grandma<\/td>Ahmed Samir<\/td>EGYPT<\/td><\/tr>
Julian and the Wind<\/td>Connor Jessup<\/td>CANADA<\/td><\/tr>
The boy with white skin (L’enfant \u00e0 la peau blanche)<\/td>Simon Panay<\/td>FRANCE<\/td><\/tr>
The Cascade (La Cascada)<\/td>Pablo Delgado Sanchez<\/td>MEXICO<\/td><\/tr>
LOOKS BAD<\/td>Il\u00e9n Juambeltz<\/td>URUGUAY<\/td><\/tr>
Our Nature (Lo natural)<\/td>Rafael Nieto<\/td>SPAIN<\/td><\/tr>
Majonez\u00eb
<\/td>		Giulia Grandinetti<\/td>ITALY<\/td><\/tr>
My Mother is a Cow (Minha M\u00e3e \u00e9 uma Vaca)<\/td>Moara Passoni<\/td>BRAZIL<\/td><\/tr>
Mad Dog (Molosse)<\/td>Marc-Antoine Lemire<\/td>CANADA<\/td><\/tr>
Montsouris<\/td>Guil Sela<\/td>FRANCE<\/td><\/tr>
Out of Sleep<\/td>Elian Lszovsky, Yuval Erez<\/td>ISRAEL<\/td><\/tr>
Oya, Dance!<\/td>Soneye-Thomas Naomi<\/td>UNITED KINGDOM<\/td><\/tr>
Rochelle<\/td>Tom Annan Furniss<\/td>NEW ZEALAND<\/td><\/tr>
She  Stays<\/td>Marinthia Guti\u008errez<\/td>MEXICO<\/td><\/tr>
Pantyhose (Sukkahousut)<\/td>Fabian Munsterhjelm<\/td>FINLAND<\/td><\/tr>
Three Keenings<\/td>Oliver McGoldrick<\/td>UNITED KINGDOM<\/td><\/tr>
Two Minutes<\/td>Jamie Benyon<\/td>UNITED KINGDOM<\/td><\/tr>
Ultraviolet<\/td>Veerle De Wilde<\/td>NETHERLANDS<\/td><\/tr>
Ya Hanouni<\/td>Lyna Tadount, Sofian Chouaib<\/td>FRANCE<\/td><\/tr>
Asia Category<\/strong><\/td>\u3000<\/td>\u3000<\/td><\/tr>
A Night, After All (Shaam hi toh hai)<\/td>Anshul Agrawal<\/td>INDIA<\/td><\/tr>
A slice of bread<\/td>Oyundalai Khureed
<\/td>		MONGOLIA<\/td><\/tr>
Breathe without Water (\u4e00\u547c\u4e00\u5438)<\/td>Christy Tse<\/td>HONG KONG<\/td><\/tr>
Bleat!<\/td>Ananth Subramaniam<\/td>MALAYSIA<\/td><\/tr>
Blind Spot (Chashma)<\/td>Nitin Baid<\/td>INDIA<\/td><\/tr>
Chaehwa<\/td>seung gi Hong<\/td>Korea, Republic of<\/td><\/tr>
Oruk ene<\/td>Ibadylla Khalilovich Adzhibaev<\/td>KYRGYZSTAN<\/td><\/tr>
Poetry<\/td>Keran Abukasimu<\/td>CHINA<\/td><\/tr>
Stranger Than Toothache<\/td>Jihyeon OH<\/td>Korea, Republic of<\/td><\/tr>
The Poison Cat<\/td>Tian Guan<\/td>CHINA<\/td><\/tr>
Umit
<\/td>		Amir Karakulov
<\/td>		Kazakhstan<\/td><\/tr>
Under the Snow (\u0632\u06cc\u0631 \u0628\u0631\u0641 )<\/td>Nafiseh Zare<\/td>IRAN, ISLAMIC REPUBLIC OF<\/td><\/tr>
Underwater (\uc720\uc601)<\/td>Yunseo Choi<\/td>Korea, Republic of<\/td><\/tr>
Vortex<\/td>Jae-Woo JANG<\/td>Korea, Republic of<\/td><\/tr>
Washhh<\/td>Mickey Lai<\/td>MALAYSIA<\/td><\/tr>
Animation Competition<\/strong><\/td>\u3000<\/td>\u3000<\/td><\/tr>
A Night at the Rest Area<\/td>Saki Muramoto<\/td>JAPAN<\/td><\/tr>
Aferrado<\/td>Esteban Azuela<\/td>MEXICO<\/td><\/tr>
BUD\u014c<\/td>Alexander Toma, Amanda Aagard<\/td>SWEDEN<\/td><\/tr>
Butterfly<\/td>Suncana Brkulj
<\/td>		CROATIA<\/td><\/tr>
Dieter<\/td>Rolf Broennimann<\/td>SWITZERLAND<\/td><\/tr>
Dragfox<\/td>Lisa Ott<\/td>UNITED KINGDOM<\/td><\/tr>
Fish<\/td>Yingdan Lai<\/td>UNITED STATES<\/td><\/tr>
Fish River Anthology (Merenel\u00e4vi\u00e4)<\/td>Veera Lamminp\u00e4\u00e4<\/td>FINLAND<\/td><\/tr>
Flatastic<\/td>Alice SAEY<\/td>FRANCE<\/td><\/tr>
Free the Chickens<\/td>Mat\u00fa\u0161 Viz\u00e1r<\/td>Czech republic, Slovak republic <\/td><\/tr>
Ghariba & Ajeeb<\/td>Boubaker Boukhari<\/td>UNITED ARAB EMIRATES<\/td><\/tr>
Kill the horse<\/td>Xiaoruo Guo<\/td>CHINA<\/td><\/tr>
Mater Benefacta<\/td>Marc Riba, Anna Solanas<\/td>SPAIN<\/td><\/tr>
On Weary Wings Go By
<\/td>		Anu-Laura Tuttelberg<\/td>ESTONIA<\/td><\/tr>
Playing God<\/td>Burani Matteo<\/td>ITALY<\/td><\/tr>
Progress Mining<\/td>Gabriel B\u00f6hmer

<\/td>		UNITED KINGDOM<\/td><\/tr>
Recordari<\/td>Carolina Cruz<\/td>CHILE<\/td><\/tr>
REVEN<\/td>BABEY Hugo, BARREAU Victor, BOSSARD Line, HURARD Chlo\u00e9, MONNIER Coralie, MORIN Mathilde, RIPOCHE L\u00e8na, SALA\u00dcN Tanguy<\/td>FRANCE<\/td><\/tr>
Shadows<\/td>Rand Beiruty<\/td>JORDAN<\/td><\/tr>
Solstice<\/td>Luke Angus<\/td>UNITED KINGDOM<\/td><\/tr>
The Point of Permanence<\/td>Nana Kawabata<\/td>JAPAN<\/td><\/tr>
The Shyness of Trees<\/td>Bingqing SHU, Maud LE BRAS, Jiaxin HUANG, Simin HE, Lina HAN, Lo\u00efck DU PLESSIS D\u2019ARGENTR\u00c9, Sofiia CHUIKOVSKA<\/td>FRANCE<\/td><\/tr>
Non Fiction Competition<\/strong><\/td>\u3000<\/td>\u3000<\/td><\/tr>
Beer (Alus)<\/td>Milda Baginskaite<\/td>LITHUANIA<\/td><\/tr>
Beyond These Walls<\/td>Christine Seow<\/td>UNITED KINGDOM<\/td><\/tr>
PAPA – Notes on Life and Death<\/td>Andreas B\u00f8ggild Monies<\/td>DENMARK<\/td><\/tr>
The Form of Matter<\/td>LEE SEONGWOOK<\/td>Korea, Republic of<\/td><\/tr>
The Midwife to Afterlife (\u05d4\u05d3\u05d5\u05dc\u05d4 \u05e9\u05dc \u05d4\u05e2\u05d5\u05dc\u05dd \u05d4\u05d1\u05d0)<\/td>Tal Schindel<\/td>ISRAEL<\/td><\/tr>
The Shift<\/td>Sami Abdou<\/td>UNITED STATES<\/td><\/tr>
THEY CALL ME THE TATTOO WITCH<\/td>Lindsay Nyman<\/td>UNITED STATES<\/td><\/tr>
They Send Word<\/td>Mariano Schoendor<\/td>SPAIN<\/td><\/tr>
Voices from the abyss (Las voces del despe\u00f1adero)<\/td>Irving Serrano, Victor Rej\u00f3n<\/td>MEXICO<\/td><\/tr>
When I Came to your Door<\/td>Antonio Paoletti<\/td>NETHERLANDS<\/td><\/tr>
Japan Category<\/strong><\/td>\u3000<\/td>\u3000<\/td><\/tr>
Ai wo Tateru ~ Stand for Love~<\/td>Kazuhiro Taira<\/td>JAPAN<\/td><\/tr>
Asa and Yoru<\/td>Yousuke Nishimura<\/td>JAPAN<\/td><\/tr>
Like in Movies, the short film<\/td>Yoh Komaya<\/td>JAPAN<\/td><\/tr>
Inokichi,Kumagoro and Oyakata<\/td>Tsuyoshi Nakano<\/td>JAPAN<\/td><\/tr>
Voice of the River<\/td>Keitaro Fujimori<\/td>JAPAN<\/td><\/tr>
Homecoming<\/td>Rintaro Takakusaki<\/td>JAPAN<\/td><\/tr>
UPSIDE – DOWN GENIUS<\/td>Ryoutaro Nishi<\/td>JAPAN<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Festival selections will be made from among the shortlisted films. The shortlist films will be selected
monthly until the end of March, 2025 and will be uploaded on the festival’s official website by the end of
April, 2025.This month’s shortlist is mainly for films submitted by the end of September, but the timing of
the announcements may vary.<\/p>\n\n\n\n

We keep calling for the entry till Jan. 31, 2025.<\/strong><\/p>\n\n\n\n

https:\/\/app.lifelogbox.com\/festival\/shortshorts?tab=competition<\/a><\/p>\n","protected":false},"featured_media":15918,"parent":0,"template":"","e_news_cat":[550,641],"class_list":["post-15917","news_en","type-news_en","status-publish","has-post-thumbnail","hentry","e_news_cat-creators","e_news_cat-filmfestival"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t