{"id":13165,"date":"2022-10-31T14:00:59","date_gmt":"2022-10-31T05:00:59","guid":{"rendered":"http:\/\/shortshorts.org\/content\/?p=13165"},"modified":"2022-10-31T14:05:47","modified_gmt":"2022-10-31T05:05:47","slug":"ssff-asia-2023%e3%82%b7%e3%83%a7%e3%83%bc%e3%83%88%e3%83%aa%e3%82%b9%e3%83%88%ef%bc%88%e3%83%8e%e3%83%9f%e3%83%8d%e3%83%bc%e3%83%88%e5%80%99%e8%a3%9c%ef%bc%89%e7%ac%ac%e4%b8%80%e5%bc%be%e3%82%92","status":"publish","type":"post","link":"https:\/\/shortshorts.org\/content\/home\/13165\/","title":{"rendered":"SSFF &#038; ASIA 2023\u30b7\u30e7\u30fc\u30c8\u30ea\u30b9\u30c8\uff08\u30ce\u30df\u30cd\u30fc\u30c8\u5019\u88dc\uff09\u7b2c\u4e00\u5f3e\u3092\u767a\u8868\uff01\uff01"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13159 aligncenter\" src=\"https:\/\/shortshorts.org\/content\/wp-content\/uploads\/2022\/10\/SSFF2023shortlistvol1.jpg\" alt=\"\" width=\"800\" height=\"498\" srcset=\"https:\/\/shortshorts.org\/content\/wp-content\/uploads\/2022\/10\/SSFF2023shortlistvol1.jpg 800w, https:\/\/shortshorts.org\/content\/wp-content\/uploads\/2022\/10\/SSFF2023shortlistvol1-300x187.jpg 300w, https:\/\/shortshorts.org\/content\/wp-content\/uploads\/2022\/10\/SSFF2023shortlistvol1-768x478.jpg 768w, https:\/\/shortshorts.org\/content\/wp-content\/uploads\/2022\/10\/SSFF2023shortlistvol1-740x461.jpg 740w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/> 2022\u5e748\u6708\u3088\u308a\u3001\u30b7\u30e7\u30fc\u30c8\u30b7\u30e7\u30fc\u30c8 \u30d5\u30a3\u30eb\u30e0\u30d5\u30a7\u30b9\u30c6\u30a3\u30d0\u30eb &amp; 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ASIS 2023\u30b7\u30e7\u30fc\u30c8\u30ea\u30b9\u30c8\u7b2c\u4e00\u5f3e\uff5e <\/em><\/strong><em>\u203b\u90e8\u9580\u5225\u306b\u4f5c\u54c1\u540d\u30fb\u76e3\u7763\u540d\u30fb\u56fd\u540d\u3092\u30a2\u30eb\u30d5\u30a1\u30d9\u30c3\u30c8\u9806\u306b\u8868\u8a18<\/em><\/p>\r\n<!-- wp:table {\"className\":\"is-style-stripes\"} -->\r\n<figure class=\"wp-block-table is-style-stripes\">\r\n<table style=\"height: 7469px;\" width=\"382\">\r\n<tbody>\r\n<tr>\r\n<td width=\"206\"><strong>\u4f5c\u54c1\u540d<\/strong><\/td>\r\n<td width=\"167\"><strong>\u76e3\u7763\u540d<\/strong><\/td>\r\n<td width=\"175\"><strong>\u5236\u4f5c\u56fd<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td colspan=\"3\"><strong>\u25a0\u30a4\u30f3\u30bf\u30fc\u30ca\u30b7\u30e7\u30ca\u30eb\uff0f\u30e9\u30a4\u30d6\u30a2\u30af\u30b7\u30e7\u30f3\u90e8\u9580<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>AirHostess-737<\/td>\r\n<td>Thanasis Neofotistos<\/td>\r\n<td>\u30ae\u30ea\u30b7\u30e3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Amala<\/td>\r\n<td>Nivetha Balasubramaniam<\/td>\r\n<td>\u30c7\u30f3\u30de\u30fc\u30af<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Break Hour (Hora Petrolera)<\/td>\r\n<td>Emilio Braojos<\/td>\r\n<td>\u30e1\u30ad\u30b7\u30b3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Brick Head (Tete de brique)<\/td>\r\n<td>Alexis Manenti<\/td>\r\n<td>\u30d5\u30e9\u30f3\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Deloping<\/td>\r\n<td>Jon Olav Stokke<\/td>\r\n<td>\u30a4\u30ae\u30ea\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>El Carrito<\/td>\r\n<td>Zahida Pirani<\/td>\r\n<td>\u30a2\u30e1\u30ea\u30ab<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>FAIRPLAY<\/td>\r\n<td>Zoel Aeschbacher<\/td>\r\n<td>\u30b9\u30a4\u30b9\u3001\u30d5\u30e9\u30f3\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Goodbye Persil (Goodbye Persil)<\/td>\r\n<td>Ugo Savouillan<\/td>\r\n<td>\u30d5\u30e9\u30f3\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Green Fit<\/td>\r\n<td>Maxime Pistorio<\/td>\r\n<td>\u30d9\u30eb\u30ae\u30fc<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Hikikomori<\/td>\r\n<td>Borja Crespo<\/td>\r\n<td>\u30b9\u30da\u30a4\u30f3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Killing Bagheera (\u0628\u0637\u0644\u0627\u0646)<\/td>\r\n<td>Muschirf Shekh Zeyn<\/td>\r\n<td>\u30b7\u30ea\u30a2<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Make Love<\/td>\r\n<td>Alex Osmolovsky<\/td>\r\n<td>\u30a4\u30b9\u30e9\u30a8\u30eb<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Mud Crab<\/td>\r\n<td>David Robinson-Smith<\/td>\r\n<td>\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>NO KEY<\/td>\r\n<td>Walid MESSNAOUI<\/td>\r\n<td>\u30e2\u30ed\u30c3\u30b3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Not My Skin<\/td>\r\n<td>Balint Klopfstein-Laszlo<\/td>\r\n<td>\u30cf\u30f3\u30ac\u30ea\u30fc<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>NOT TOMORROW<\/td>\r\n<td>AMERISSA BASTA<\/td>\r\n<td>\u30ae\u30ea\u30b7\u30e3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Off Side<\/td>\r\n<td>Sophie Martin<\/td>\r\n<td>\u30d5\u30e9\u30f3\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Pivot Pals<\/td>\r\n<td>Doron Drew Feldman<\/td>\r\n<td>\u30a2\u30e1\u30ea\u30ab<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Pro Pool (Piscine pro)<\/td>\r\n<td>Alec Pronovost<\/td>\r\n<td>\u30ab\u30ca\u30c0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Safe as Houses<\/td>\r\n<td>Mia Mullarkey<\/td>\r\n<td>\u30a2\u30a4\u30eb\u30e9\u30f3\u30c9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sami&#8217;s Fugue<\/td>\r\n<td>Vincent Tricon<\/td>\r\n<td>\u30d5\u30e9\u30f3\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sorry No Vacancy (Der Inhalt eines B\u00fcnzlis)<\/td>\r\n<td>Lars Alexander Wicki<\/td>\r\n<td>\u30b9\u30a4\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Spotless<\/td>\r\n<td>Emma Branderhorst<\/td>\r\n<td>\u30aa\u30e9\u30f3\u30c0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The Deportation of a Model Citizen<\/td>\r\n<td>Jacob Thomas Pilgaard<\/td>\r\n<td>\u30c7\u30f3\u30de\u30fc\u30af<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The Devil<\/td>\r\n<td>Jan Bujnowski<\/td>\r\n<td>\u30dd\u30fc\u30e9\u30f3\u30c9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>the red suitcase (La valise rouge)<\/td>\r\n<td>CYRUS NESHVAD<\/td>\r\n<td>\u30eb\u30af\u30bb\u30f3\u30d6\u30eb\u30af<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The Silent ones (Les Silencieux)<\/td>\r\n<td>Basile Vuillemin<\/td>\r\n<td>\u30d5\u30e9\u30f3\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>vic<\/td>\r\n<td>Schubert Luis<\/td>\r\n<td>\u30c9\u30a4\u30c4<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Victim<\/td>\r\n<td>Robin SUMMONS<\/td>\r\n<td>\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Where It&#8217;s Beautiful When It Rains<\/td>\r\n<td>Harley Chamandy<\/td>\r\n<td>\u30a2\u30e1\u30ea\u30ab<\/td>\r\n<\/tr>\r\n<tr>\r\n<td colspan=\"3\"><strong>\u25a0\u30a2\u30b8\u30a2 \u30a4\u30f3\u30bf\u30fc\u30ca\u30b7\u30e7\u30ca\u30eb\uff0f\u30e9\u30a4\u30d6\u30a2\u30af\u30b7\u30e7\u30f3\u90e8\u9580<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>A New Apartment<\/td>\r\n<td>Szu-Wei Chen<\/td>\r\n<td>\u53f0\u6e7e<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Adjustment<\/td>\r\n<td>Mehrdad Hasani<\/td>\r\n<td>\u30a4\u30e9\u30f3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Aunt Lotus &amp; Her Dream Bicycle (\u4e00\u8f86\u811a\u8f66\u4e24\u4e2a\u8f6e)<\/td>\r\n<td>Kew Lin<\/td>\r\n<td>\u30b7\u30f3\u30ac\u30dd\u30fc\u30eb<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Falling up<\/td>\r\n<td>Maryam Bakhtiari<\/td>\r\n<td>\u30a4\u30e9\u30f3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Foreign Uncle (\u7f8e\u56fd\u53d4\u53d4)<\/td>\r\n<td>Sining Xiang<\/td>\r\n<td>\u4e2d\u56fd\u3001\u30a2\u30e1\u30ea\u30ab<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Girls ( \u5973\u5b69\u5973\u5b69)<\/td>\r\n<td>Qiwen Zhang<\/td>\r\n<td>\u4e2d\u56fd<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Goo (\u6c61)<\/td>\r\n<td>Jack Li<\/td>\r\n<td>\u4e2d\u56fd\u3001\u30ab\u30ca\u30c0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>GOODTIME<\/td>\r\n<td>DONG-IN KANG<\/td>\r\n<td>\u97d3\u56fd<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Little Love<\/td>\r\n<td>Aizhan Kassymbek<\/td>\r\n<td>\u30ab\u30b6\u30d5\u30b9\u30bf\u30f3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>PHOENIX<\/td>\r\n<td>Mohsen Nabavi<\/td>\r\n<td>\u30a4\u30e9\u30f3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Please Hold the Line<\/td>\r\n<td>Tan Ce Ding<\/td>\r\n<td>\u30de\u30ec\u30fc\u30b7\u30a2<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Red Funeral (\u7ea2\u8272\u846c\u793c)<\/td>\r\n<td>Jane Zhang<\/td>\r\n<td>\u4e2d\u56fd<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ringroad<\/td>\r\n<td>Andrew Kose<\/td>\r\n<td>\u30a4\u30f3\u30c9\u30cd\u30b7\u30a2<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The Company<\/td>\r\n<td>Ilnaz Kheirkhah<\/td>\r\n<td>\u30a4\u30e9\u30f3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The Silent Whistle (\u98ce\u7b5d)<\/td>\r\n<td>Yingtong Li<\/td>\r\n<td>\u4e2d\u56fd<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The train<\/td>\r\n<td>pin luo<\/td>\r\n<td>\u4e2d\u56fd<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Truffle Trouble (Ye Choom_Ye Lang)<\/td>\r\n<td>Yaser Barzegar<\/td>\r\n<td>\u30a4\u30e9\u30f3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Vania on Lima Street<\/td>\r\n<td>Bayu Prihantoro Filemon<\/td>\r\n<td>\u30a4\u30f3\u30c9\u30cd\u30b7\u30a2<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Young People, Old People &amp; Nothing in Between (\u0e27\u0e32\u0e22\u0e1b\u0e47\u0e2d\u0e1a)<\/td>\r\n<td>Parida Tantiwasadakran<\/td>\r\n<td>\u30bf\u30a4<\/td>\r\n<\/tr>\r\n<tr>\r\n<td colspan=\"3\"><strong>\u25a0\u30a2\u30cb\u30e1\u30fc\u30b7\u30e7\u30f3\u90e8\u9580<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\u306f\u306a\u304f\u305d\u3046\u308b\u3081\u3044\u3068 (Boogerly Love)<\/td>\r\n<td>\u6c60\u7530 \u590f\u4e43(Kano Ikeda)<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Catisfaction<\/td>\r\n<td>Andre Marques Almeida<\/td>\r\n<td>\u30dd\u30eb\u30c8\u30ac\u30eb<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>HYSTERESIS<\/td>\r\n<td>Robert Seidel<\/td>\r\n<td>\u30c9\u30a4\u30c4<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Impurrfection (\u8c93\u5e74\u6d77\u5cb8)<\/td>\r\n<td>Chiang Yao<\/td>\r\n<td>\u53f0\u6e7e<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\u30a2\u30a4\u30a2\u30f3\u30d7\u30ec\u30c3\u30b8 (IRON PLEDGE)<\/td>\r\n<td>\u88b4\u7530\u304f\u308b\u307f (Kurumi Hakamata)<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\u30ac\u30b9\u30fc (Krasue)<\/td>\r\n<td>\u3072\u3089\u306e\u308a\u3087\u3046 (Ryo Hirano)<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Night<\/td>\r\n<td>Ahmad Saleh<\/td>\r\n<td>\u30d1\u30ec\u30b9\u30c1\u30ca<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\u30d1\u30ec\u30fc\u30c9 (Parade)<\/td>\r\n<td>\u7dbf\u5f15 \u660e\u6d69 (Akihiro Watabiki)<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>On my Bicycle (A Bicyclette)<\/td>\r\n<td>Oc\u00e9ane Lavergne, Benjamin Langagne, Lucas Durot, Pierre Cilluffo, Marine Beuvain &amp; Kerrian Detay<\/td>\r\n<td>\u30d5\u30e9\u30f3\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>SCALE<\/td>\r\n<td>Joseph Pierce<\/td>\r\n<td>\u30d5\u30e9\u30f3\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Slouch<\/td>\r\n<td>Michael Bohnenstingl<\/td>\r\n<td>\u30a2\u30e1\u30ea\u30ab<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Synchrony (Synchronie Passag\u00e8re)<\/td>\r\n<td>Julia Le Bras-Juarez, Emmie Marriere, Marianne Fourmanoit, Laura Techer, Louise-Marie Rousselie &amp; Jean Delamarre &amp; Alexis Prost<\/td>\r\n<td>\u30d5\u30e9\u30f3\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The Island of Us<\/td>\r\n<td>Yu Yu<\/td>\r\n<td>\u53f0\u6e7e<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The Record<\/td>\r\n<td>Jonathan Laskar<\/td>\r\n<td>\u30b9\u30a4\u30b9<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The Thief<\/td>\r\n<td>Arturo Brena<\/td>\r\n<td>\u30a2\u30e1\u30ea\u30ab<\/td>\r\n<\/tr>\r\n<tr>\r\n<td colspan=\"3\"><strong>\u25a0\u30ce\u30f3\u30d5\u30a3\u30af\u30b7\u30e7\u30f3\u90e8\u9580<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>A different view<\/td>\r\n<td>Camila Silva<\/td>\r\n<td>\u30cb\u30ab\u30e9\u30b0\u30a2<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Blue Dots<\/td>\r\n<td>Lorenzo Squarcia<\/td>\r\n<td>\u30a4\u30bf\u30ea\u30a2<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>End of the Road<\/td>\r\n<td>Ivana Todorovic<\/td>\r\n<td>\u30bb\u30eb\u30d3\u30a2<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>From Dreams to Dust<\/td>\r\n<td>Stephanie Tangkilisan &amp; Muhammad Fadli<\/td>\r\n<td>\u30a2\u30e1\u30ea\u30ab<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Live Till I Die<\/td>\r\n<td>Gustav \u00c5gerstrand, \u00c5sa Ekman, Anders Teigen &amp; Oscar Hedin Hetteberg<\/td>\r\n<td>\u30b9\u30a6\u30a7\u30fc\u30c7\u30f3<\/td>\r\n<\/tr>\r\n<tr>\r\n<td colspan=\"3\"><strong>\u25a0\u30b8\u30e3\u30d1\u30f3\uff0f\u30e9\u30a4\u30d6\u30a2\u30af\u30b7\u30e7\u30f3\u90e8\u9580<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Bird Woman<\/td>\r\n<td>\u5927\u539f\u3068\u304d\u7dd2 (Tokio Ohara)<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\u30c1\u30a7\u30f3\u30b8 (CHANGE)<\/td>\r\n<td>William Sinclair<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Scabiosa<\/td>\r\n<td>\u9ad8\u6751\u525b\u5fd7\uff08Tsuyoshi Takamura\uff09<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Shall we love you?<\/td>\r\n<td>\u7530\u4e2d\u6674\u83dc (Haruna Tanaka)<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\u8494\u304f\u611b (Sowing Love)<\/td>\r\n<td>\u5c71\u79d1\u6643\u4e00 (Koichi Yamashina)<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\u7a7a\u3068\u767d\u3068\u6ce2\u3068\u6bcd (Tofu)<\/td>\r\n<td>\u897f\u5c71\u88d5\u4e4b (Hiroyuki Nishiyama)<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>What do to do to be like you<\/td>\r\n<td>Chris Rudz<\/td>\r\n<td>\u65e5\u672c<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<!-- \/wp:table -->\r\n\r\n<!-- wp:paragraph \/-->\r\n\r\n<!-- wp:paragraph -->\uff08\u203b\uff09\u5165\u9078\u5019\u88dc\u4f5c\u54c1\uff08\u30b7\u30e7\u30fc\u30c8\u30ea\u30b9\u30c8\uff09\u3092\u5fdc\u52df\u6708\u306e\u7fcc\u3005\u6708\u672b\u306b\u767a\u8868\u81f4\u3057\u307e\u3059\u3002 \u6620\u753b\u796d\u5165\u9078\uff08\u6620\u753b\u796d\u3067\u4e0a\u6620\u3055\u308c\u308b\uff09\u4f5c\u54c1\u306f2023\u5e743\u6708\u672b\u307e\u3067\u6708\u6b21\u3067\u767a\u8868\u3055\u308c\u308b\u30b7\u30e7\u30fc\u30c8\u30ea\u30b9\u30c8\u306b\u9078\u3070\u308c\u305f\u4f5c\u54c1\u306e\u4e2d\u304b\u3089\u9078\u51fa\u3055\u308c\u30012023\u5e744\u6708\u672b\u307e\u3067\u306b\u6620\u753b\u796d\u516c\u5f0f\u30b5\u30a4\u30c8\u306b\u3066\u767a\u8868\u3057\u307e\u3059\u3002 \u4eca\u6708\u767a\u8868\u5206\u306f\u4e3b\u306b8\u6708\u672b\u307e\u3067\u306b\u5fdc\u52df\u3055\u308c\u305f\u4f5c\u54c1\u3092\u5bfe\u8c61\u3068\u3057\u3066\u3044\u307e\u3059\u304c\u3001\u5834\u5408\u306b\u3088\u3063\u3066\u767a\u8868\u306e\u6642\u671f\u304c\u305a\u308c\u308b\u5834\u5408\u304c\u3054\u3056\u3044\u307e\u3059\u3002<\/figure><!-- \/wp:paragraph -->","protected":false},"excerpt":{"rendered":"<p>2022\u5e748\u6708\u3088\u308a\u3001\u30b7\u30e7\u30fc\u30c8\u30b7\u30e7\u30fc\u30c8 \u30d5\u30a3\u30eb\u30e0\u30d5\u30a7\u30b9\u30c6\u30a3\u30d0\u30eb &amp; 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