Information

Announcement of SSFF & ASIA 2026 6th shortlist

We will release a shortlist from among the entries for the Academy Award(R) eligible categories (Live-action Competitions, Animation Competition, and Non-fiction Competition) for the Short Shorts Film Festival & Asia 2026.

This January, we received 656 submissions. Among these, 105 films were student projects, and 255 were made by first-time filmmakers. Women filmmakers represented approximately 41%.

International Competition Overview

For the International Competition, we received 229 submissions. The top submitting countries were the United States, France, and Spain.

A strong trend across the films from the International competition is the exploration of relationships, particularly the bond between siblings, friends, and chosen family.

Asia International Competition Overview

The Asia International Competition received 92 submissions. The top submitting countries were China, Korea, and India.  A notable trend is stories that deal with characters struggling with work and hustling to have a better life.

Japan Competition Overview

The Japan Competition received 88 submissions. Trending topics among the films were the pressures of dealing with daily social life, mental health, and isolation. 

Animation Competition Overview

The Animation Competition received 64 submissions, with the United States, France, and China leading in submissions. Recurring themes were related to the aging process, like dementia, and the final steps towards death.

Non-Fiction Competition Overview

The Non-Fiction Competition received 50 submissions. The top submitting countries were the United States, China, and the United Kingdom. Notable topics from the non-fiction films are dedicated to subjects such as natural disasters, living in war zones, and finding empathy and friendship with AI chatbots.

〜SSFF & ASIA 2026 shortlist(6th)~
~ The name of the film, the director name, and the country name will be listed in alphabetical order by category

Project Title Directors Country of Origin
International
Ambush | Kameen Yassmina Karajah Canada
Dëmm (MATI) Aida Captijn Senegal, Switzerland
Double Shift Dad Eduardo Venado Chávez Mexico
Nobody Knows the World Roddy Dextre Peru
Qaher Nada Khalifa Poland
Sauna Sickness Malin Barr Sweden
That’s My Sister Zoé Pelchat Canada
The Evaluation Laura Kazbaraite Lithuania
The Mystery of Father Metz Félix Brouillet-Desrosiers Canada
Trio Fridtjof Stensæth Josefsen, Morten Borgestad Norway
Asia
Amazing Fantastic Extraordinary People Nadina Habsjah, Yusgunawan Marto Indonesia
Baby Gangster Thyestes Tong Hong Kong
Beyond The Mind Lanya Nooralddin Abdallah Iraq
Collar Pouyan Ramezanpour Iran, Islamic Republic of
Rock Berkut Tamerlan Almanov Kazakhstan
Shadows Sreileak Prum Cambodia
Something In the way Sai Ma China
The Animal Inside Us Jane Zhang China, Macao, Malaysia, United States
Animation
ONDO Miyoung Baek South Korea
Saba Liron Topaz United States
The Dog Konstantinos Demis Greece
The Garden Carolina Charadán, Miguel Machado Canada, Cuba, Mexico
The Tale of Tran Thanh Duong Hachul Le Do Vietnam
Traces of Summer Katsuki Yokoyama Japan
Non Fiction
3740 Lynn Song Japan, United Kingdom
Boomerang Atomic Rachid Bouchareb France
Hyodo’s Paradise Jacque Rabie United States
Ikuko Kawai “Sado: A Journey of the Heart” Masaki Toya Japan
Please Do Not Resuscitate Leah Finegold United Kingdom
Rio Remains Beautiful Felipe Casanova Belgium, Brazil, Switzerland
Rite of Passage Jose Luis Jiménez Gómez Cuba
The Baker’s Hotline Emily Schuman, Dave Schuman United States
The Noble Witness Yuta Okamura United States
Japan
Backstage Pass Kanji Furutachi Japan
Destinagency Hiroki Yagi Japan
Husband’s Legs Kimi Yawata Japan
IM PERFECTION Mika Sasaki Japan
IN/VISIBLE Eureka Toki Japan
MABITO Issei Yoshioka Japan
mopim Yutaka Mizuochi Japan
Mortals at the Cliff Shuhei Murata Japan
shady Hidaka Yamada Japan
Sonic Beat Shunta Seki Japan
The Parting Day Kazutomo Ogata Japan
Tokyo Submarine Ryosuke Takahashi Japan
Unknown Nanase Nakamura Japan
urar suye Masashi Sogawa Japan
Who Needs a Cliff? Yu Sanbonsuge Japan

Festival selections will be made from among the shortlisted films. The shortlist films will be selected monthly until the end of March, 2026 and will be uploaded on the festival’s official website by the end of April, 2026. This month’s shortlist is mainly for films submitted by the end of January, but the timing of the announcements may vary.

https://app.lifelogbox.com/festival/shortshorts?tab=competition